A Day At Yasukuni Shrine
At noon on August 15th, 1945, the Japanese people, for the first time, heard the unexpectedly high-pitched voice of the Showa Emperor (Hirohito) crackling over the radio. The God-Emperor (as he was considered at that time) announced in an archaic form of speech which few could actually understand (and which amused quite a few children back then), that the unimaginable had to be accepted, and that the struggle against the enemy (the United States and its allies) had to be abandoned with surrender. This marked the end of a long period of Empire, expansionism, militarism, and extreme nationalism which in a way can be said to have been initiated as an over-enthusiastic imitation of the great Western colonial powers which had forced Japan to open up to the world almost 100 years earlier, and which because of poor judgment and over-optimism ended in the total devastation of the country and millions dead (not to mention the suffering and humiliation brought to other Asian and Pacific peoples). As the meaning of the Emperor's message was slowly comprehended, millions were dumbstruck or overcome by a cathartic weeping.
This day in mid-August has come to be accepted as the day of remembrance for those who perished in that war, which actually began with Japan's incursion into Manchuria in 1931 and its brutal ten-year struggle to gain the upper-hand in China before fatefully deciding to attack the United States. August 15 has also become a day of controversy, especially because of visits to Tokyo's Yasukuni Shrine (靖国神社, Yasukuni Jinja).
Yasukuni Shrine is where the souls of all soldiers who have died fighting for the Imperial Cause (since the struggle for the Meiji Restoration began in 1853) are enshrined as Kami (Gods). Japanese soldiers were indoctrinated to believe that if they died in battle they would live on forever at Yasukuni. Many of the last letters of soldiers and especially Kamikaze pilots to their parents end with a "Lets meet at Yasukuni!"
You might ask what the problem would be for people to visit such a shrine, as most countries have similar ceremonies commemorating their war dead. Well, the problem (especially for Japan's Asian neighbors) is that among the millions enshrined are numerous convicted war criminals. Thus visits to the shrine by Japanese politicians arouse great anger in China and Korea (and among many Japanese). This foreign criticism then arouses the anger of Japan's Right-Wingers (u-yoku, 右翼), who feel that Japan has bowed to hypocritical foreign pressure and has had to conceal its true self. This cycle of accusations has made Yasukuni Shrine the center point of the struggle over how the history of WWII should be perceived. It has subsequently become a symbol and rallying point for Japan's numerous and very vocal right-wing groups.
These days there is little talk of The War in Japan, and in fact most foreign residents are surprised and disappointed to find that there is almost no political discussion of ANY SORT in this country. Topics which lead to an expression of one's true feelings or opinions (except for which foods you like or dislike) or any controversial subjects are usually avoided. For that reason many foreigners living in Japan LONG FOR the excitement of a good debate, and of hearing some heartfelt political opinions, even those that might be SERIOUSLY DISAGREED WITH.
Spending an August 15th at Yasukuni Shrine (as I usually do) provides a sufficient dose of opinions and political stimulation to last for a long, long while. Also, for those interested in Ibaraki, there is also strong relevance, as the xenophobic Emperor worship which had Japan in its grip for decades, and now lives on in numerous fringe groups, was originally promoted by the Mito Clan (Mito is now Ibaraki's capital) whose sponsorship of Mito Studies (Mito-Gaku,水戸学) provided the intellectual framework which eventually led to the Meiji Restoration and a whole slew of extreme slogans (the most famous being SONNO JO-I (尊王攘夷, Revere the Emperor, Expel the Barbarians!)).
Let me tell you what my day was like.
I took TX to Kita-Senju, changed to the Hibiya Line and then changed again at Kayabacho to the Tozai Line and got out at Kudanshita, which is the nearest station to the shrine. Heading to exit no. 1, I first came face to face with the reality of the day and the occasion. A group of young riot police (kidotai) in full battle-gear. I headed up the escalator and onto street level which was very hot, both temperature-wise and emotionally. The street up Kudanzaka, towards the shrine was crowded and excited. There were many activists who had set up booths on the side walk. They were handing out leaflets and asking for signatures for various petitions. It was like being at the Student Union Building of an American or European university, except for where at those institutions students tend to push liberal or left-wing causes, these activists were all decidedly leaning to the right or far right.
Mostly, this was not expressed in a personal way, and I, a foreigner, was given pamphlets (even one demanding that political rights not be granted to foreign residents in Japan!), asked for my signature (which I politely refused) and was patiently and passionately told about each particular cause (after I showed interest). One Watanabe-san provided me with painstaking details about what he was gathering signatures for. He told me how, at the end of the Battle of Okinawa, hundreds of villagers on a small island had committed suicide. After the war, survivors claimed that they were ordered to do so by the Japanese military commanders on the island, and they demanded compensation. The court ruled in favor of the islanders. Mr. Watanabe, 63 years later, was standing in the hellish heat all day long trying to get signatures to CLEAR THE NAMES OF THE OFFICERS IN CHARGE! Other groups were calling for the independence from China of various regions including Taiwan and Tibet.
Of course the police presence was enormous and you could not help but feel sorry for the young guys who were all padded and helmeted in the heat. The road which goes up the slope parallel to the shrine was lined with the loud-speaker trucks (gaisensha) of the various right-wing groups who had gathered for the occasion. As I entered the main worshipper's path to the shrine I also started to see the Yasukuni COS-PLAY people, those who don Imperial Army costumes and paraphernalia. They sit in the shade on the side of the path, sometimes singing old war songs (gunka) to the accompaniment of a harmonica. Also, uniformed u-yoku sit in groups drinking, singing, posing and posturing, before or after having prayed before the shrine.
It is important to remember, however, that among all the tens of thousands who came to the shrine on that day, 99% were typical looking Japanese people, of all ages, who came to quietly, and as quickly as possible, pay their respects to the fallen dead. There are many elderly people who probably lost dear ones in the war. These people even come in groups, by the busload. The extremists and other fringe-elements who end up being featured in the media are a tiny but VERY NOTICEABLE minority.
As I passed through the main gate of the shrine, the line to reach the Main Hall began and those who came to worship had to stand in line for a LONG TIME, fully exposed to the sun. Nobody was complaining, but I couldn't help but wonder why they couldn't put up some sort of canopy for some shade.
Though tourists and journalists like to photograph the costumed, posturing right-wing cranks who line-up in front of the shrine (with the general public), the real powerful and shadowy u-yoku groups, in their very expensive suits and haircuts (or shaved heads) can be seen through the wooden grill to the right of the main hall. Within the confines of the shrine itself they are given food and are taken into the inner sanctuaries for purification and blessing before they join in singing KIMIGAYO, Japan's national anthem. These characters seemed much more ominous to me than the riff-raff u-yoku hanging out in the front.
This inner-hall ceremony is open to anyone, including foreigners, who want to pay the fee. The most celebrated visitor this year was Tokyo's outspoken governor Shintaro Ishihara who was greeted with cheers and flag waving. I asked bystanders by if Prime Minister Fukuda would be coming to the shrine and they disgustedly told me that he wouldn't be coming.
As usual, I stopped to look at the monuments to the various animals who died in Japan's various war efforts. The dog, the horse, and the pigeon. There were offerings for the animals -- dog food, carrots, water, rice balls -- but much fewer than previous years.
Also drawing the attention of many Japanese visitors was the monument to Radhabinod Pal, the only dissenting judge at the Tokyo War Crimes Trial.
At 2:30, about a kilometer from the shrine's Main Hall, a demonstration by groups who oppose the Emperor system and militarism was scheduled to be held. The right-wingers who just earlier had been hanging out in the shade, were now ready to rumble. When the police blocked off the road so that their loud-speaker trucks could not pass, pandemonium broke loose. I had imagined that nearby the shrine the u-yoku would not use the blaring speakers and especially not use foul language while so many worshippers were nearby. But logical thinking is a not a strong-point of these guys. All the loudspeakers went at it at once. I HAVE NEVER HEARD SUCH A DIN (it was like 50 rock concerts at once!). Though I have always felt there was some cooperation between the police and u-yoku, I was surprised by the barrage of insults hurled at the police and riot squad, for all of Tokyo to hear. I was even more surprised to hear how many bystanders, mostly suit-wearing salary-men shouted support to the right-wingers.
As I walked over toward the demonstration there were many more Caucasian foreigners who had come to gawk and take pictures. The right-wing groups were blocked off by phalanxes of riot police, but that did not stop them from using their loudspeakers. Any overexcited u-yoku who wanted to show his dedication to the Emperor by beating up an anti-war activist was held back or tackled by the police.
The real trouble happened after the demonstration, as the left-wingers (sa-yoku) started to leave. As they got further away from the allotted demonstration site, there was less protection and some thugs were waiting to beat them up. Interestingly, none of the elderly or female protesters were attacked. The u-yoku would pick out the able-bodied men and proceed to gang up on them.
The leftists were no softies, and actually held their ground. The police of course intervened, and finally showed their bias shouting at the protesters to just go the hell home.
After spending so many hours in the heat without sitting down, I was physically exhausted and the real battling I had seen had me shaken. On the train back home I certainly had a lot to think about and had some thoughts about what I had experienced. This entry is getting much longer than I planned it to be however, so I will leave them for another time. What do you think? Please let me know.
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A Deeper Look at Japan`s Shichi-Go-San Celebrations ( which are especially extravagant in Ibaraki Prefecture!)

By Avi Landau
One of the questions you are most frequently asked by Japanese people who you meet for the first time is- HOW OLD ARE YOU? This can be a little disconcerting for you once you get beyond a certain age, but dont let it make you paranoid- its not that you look SO OLD or SO YOUNG- its just that in Japanese culture being aware of other`s ages is extremely important. You could even say that in Japan there is a CULT OF AGE. By this I do not mean one of youth or old age ( though youth IS highly regarded in itself). What I mean is that in Japanese culture, one`s age, no matter what it my be, bears with it great significance.
The foremost reason necessitating being aware of another`s age for the Japanese is to determine who is senior and who is junior, since in this Confucian influenced society this will affect the character of the relationship formed and the form of speech which will be used .
Besides this, in Japanese culture, certain ages represent certain MILESTONES or TURNING POINTS in ones life. These include the many UNLUCKY AGES ( yakudoshi, 厄年), the main ones being ages 42 for men and 33 for women. (interestingly these age related events are mirrored almost perfectly for The dead with memorial services on the 1st ,3rd, 7th, 13th 33rd etc. year anniversaries).
Most of these special ages, however, beginning with a baby`s official naming on the 7th day after birth, are happy occassions, culminating in the special longevity celebrations held at 60, 70, 77,80,88,90,99 and 100 years.
Since it is now November, today I would to discuss one of Japan`s most popular, and probably, with its minions of adorable kimono clad kids being escorted to atmospheric shrines by beaming parents and grandparents, its most photo-friendly rite of passage event- SHICHI-GO-SAN ( 七五三), literally the 3-5-7 celebration.
Today, this event is typically celebrated by families with 3 year old or seven year old girls and five year old boys. These families buy or rent FESTIVE WEAR ( HARE-GI- 晴れ着), traditionally meaning Japanese style kimono( though you will often find boys in suits), going to the photographers studio for commemorative portraits ( often in different styles of dress) and then visiting a shrine to pray for the childs growth and health. The child will also usually carry a bag of special candy called CHITOSE AME ( 千歳飴- thousand year candy), beautifully decorated with symbols of long life- cranes, turtles, pine, bamboo and plum as well as auspcious chinese characters.
Optimally this should take place on the 15th of November, though anytime in November is appropriate ( however, I HAVE heard that before the 15th is better than after)
In Ibaraki Prefecture ( yes, it seems that it is true ONLY here), the event is often celebrated with much more extravagance- especially by families from traditional hamlets. After, visiting the shrine, relatives and friends are invited for a reception at a restaurant or even a fancy hotel. Emcees and photographers are invited, speeches are made. It is not very differentt from a wedding.
I have even heard that when children celebrate a shichi-go-san, their family changes the tatamis and shoji doors ( which is also a custom for weddings).
Now just what is the origin of these customs? Well, as is the rule with Japanese culture, the sources are diverse and the evolution intriguing.
As I have often mentioned in relation to Japanese festivals, ODD NUMBERS are considered auspicious ( this concept was introduced in the 6th century from China). Thus, the Doll Festival is on March 3rd ( 3/3), Childrens Day May 5th (5/5), Tanabata July 7th ( 7/7), etc.
It is thus understandable why the aristocrats of the Heian Period ( and subsequent generations of Japanese)would hold rite of passage ceremonies for their children on ODD NUMBERED years.
Another important concept behind the 7-5-3 ceremony is the fact that the Japanese did not consider children to be full members of the community until they were seven years old. By this I mean that children were not registered as part of the population ( in the NINBETSU-CHO), until they were seven. Those who died before that age were not given the usual funeral or buried in their family graves.
Thus attaining the age of 7 signified becoming a member of the community and of becoming a full-fledged PERSON.
Still, in the years from the Heian Period (794-1185) to the end Edo Period (1600-1868), there was no standardized SHICHI-GO-SAN, as we know it today. The noble and samurai families DID have special ceremonies for 3 year old children ( KAMI-OKI) after which their hair was allowed to grow out instead of being shaved. Five year old boys had a ceremony for wearing their first HAKAMA ( special trousers) called HAKAMA-GI. And then for seven year old girls there was the ceremony for tying their first OBI sash, called the Obi-toki.
These ceremonies DID NOT necessarily take place specifically in November.
As I have written many times before, the Japanese populace always admired the higher classes and aspired to their ways. Thus, during the Edo period and the growth of a prosperous and thriving merchant culture, these customs were taken on by the townspeople and farmers as shrines , kimono makers , and sweets makers all promoted this event. It was a huge hit and had a huge commercial impact, hinting at things to come with Valentines Day and Christmas in contemporary Japan.
Just why Shichi-Go-San came to be celebrated in November, and especially on November 15th, remains unclear. Some it is because that was the celebration day of one of the children of the Tokugawa Family, ( which ruled during the Edo Period). Tokugawa Tsunayoshi, to be specific
Anyway, being just after harvest season, it is a perfect time for rural Japanese to celebrate their childrens growth and health in style.
And to make everything I have written about above even MORE CONFUSING!
Traditionally, the Japanese considered chidren to be 1 year old at the time of birth. Even today when considering celebrating the various special age events, many Japanese decide to do so on the KAZOE DOSHI ( meaning the tradiotional way of calculating age). That means that many people that celebrate SHICHI-GO-SAN when their children are either 6, 4, or 2 ! Or celebrate their BEI JU ( for 88 year-olds) when they are in fact 87. With the westernization of all things advancing at a steady pace, however, more and more people are celebrating these events according to their MAN doshi ( which is how westerners have calculated age: 0 at birth).
Good places to see families dressed up for Shichi-Go-San in Tsukuba are the Mt Tsukuba Shrine and the Izumi Kosodate Kannon, near Hojo.
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A Fine day For Fire-Walking at Mt Kabasan (加波山) !

It is ironic that with Japan's often gloomy summer rainy season, there is usually plenty more sunshine in mid-winter than there is in mid-summer. And so, though today, the To-Ji (冬至), or winter solstice was certainly the shortest day of the year, it was also one of the sweetest -- with clear blue skies, no winds, and temperatures which were neither too hot nor too cold. In other words, a perfect day for fire-walking, which is what was going on today at Makabe's Kabasan Jinja Shrine, just as it has been on every winter solstice day for more than five hundred years.

When I arrived at the shrine at noon, a dense and excited crowd had already gathered tightly round the area which had been marked off earlier in the day with sacred bamboo (imitake) and rope (shimenawa). Standing on tip-toes (I am not your stereotypical TALL gaijin) I could have a look at what was going on within the sacred space. At the far end, a portable shrine had been set up, with various offerings from the sea (umi no mono), from the fields (yama no mono), and plenty of O-Miki (ritual sake) neatly arranged on an altar which was also adorned with branches of sacred sakaki, which would attract the GODS to this spot.


In the center of the cordoned off space was a neat pyre of chopped pine wood, with some ritual paper representing the deity of the shrine placed on top in the center. Five men, two of them younger, and three much older who were dressed in white robes and head-dresses more reminiscent of the Sahara or Arabia than China or Japan, were busy with various preparations. The oldest gentleman, who I later learned is in his mid-80s, was performing various purification rituals, consecutively waving sakaki, a sword, and blowing a conch (hora-gai).
Quickly tiring of standing on tip-toes, I set about exploring the precincts of this venerable shrine, which legend says was first founded by the semi-mythical barbarian subduer Yamato Takeru, who supposedly prayed at this site for victory in his campaigns of Eastern conquest. Today scores of parishioners clad in white HAPI coats and head-bands were busy chatting in the various shrine offices. Other visitors, from far and near, were buying votive tablets, tossing coins into the main offering box, taking pictures, or just waiting around impatiently for the ceremony to begin.
I was also able to chat with some of the shrine staff about the history of the shrine and the fire walking ceremony (Hi-Watari), which I will relay to you later. But now it was time to get into position for watching and photographing the ritual, and relying on plenty of pent up New York wile and CHUZTPAH I was able to manoeuvre myself into a favorable spot.


At this point, the old men in white were kneeling in front of the altar, muttering incantations with great concentration and solemnity. They then went ahead and lit the pyre, which on the windless day burned beautifully. The crowd watched the flames, as if intoxicated, for more than thirty minutes, as the old priests circled, chanting to themselves, and going through what looked like martial arts KATA (pattern practices), sometimes miming sword strikes which included strong KIAI (cries of EEII). They also would occasionally take colorful amulets from their belts and hold them up to the fire as they circled, looking as if they were seeking the fire's weak points which they would attack.

As the fire burned down, the younger men used long sticks to create a path down the center of the pyre. When this was ready, the oldest man drew his sword and performed another purification ritual. Building up his courage he let out a strong kiai as he passed through the center of the flames. He then stopped in front of the altar acknowledged the KAMI (Gods) and took a swig of O-Miki. He was quickly followed by the other white-men.

When they were finished, it was the parishioners' turns. They all filed through the fire, and then on to the altar, as if drawn uncontrollably to the sacred SAKE.

After leaving the sacred area these locals proceeded to the shrine office where they cleaned their feet, received a certificate of having participated and settled down for some beverages and snacks. After all the parishioners had passed through the flames, it was time for anyone else who wanted to to do so.
This took quite a long time, as all sorts of folks, young old, mothers carrying babies, passed through the fire.
When I asked those who had just passed through if their feet burned, they all seemed to agree that more than hot feet, it was their faces that felt the heat, from the flames on both sides.
When the last person FINALLY passed through, the old man called out - FINISHED. Then pandemonium broke out; as the crowd rushed into the sacred compound.

Many locals bring metal containers into which they put some burnt wood or embers from the fire. They then keep this in their houses for one year as protection from colds. The mad scramble for these red hot pieces of wood seemed very dangerous, but luckily no one seemed to have gotten burned.
The Mt. Kaba Shrine Fire Walking Ritual had come to an end, and everyone seemed very satisfied indeed.
In 1394, the abbot of the Enryaku-Ji temple, which protects Kyoto from the unlucky North-Eastern direction and is probably Japan's most influential temple, travelled the country making pilgrimages to its sacred sites. One place he and his entourage of monks visited was Mt Kaba, which was supposed to have once been used for sacred rites. This priest, Genkai-Shonin (源海上人), carried out various esoteric rituals which were part of the Tendai Sect and had been brought to Japan from India and perhaps Persia, by way of China where the sect's founder Saicho had come into contact with them. It is from these ancient practices that the current Mt Kaba Shrine's Fire Walking Ritual have evolved, and that is why they have such an exotic air. Please keep in mind that until the Meiji Period (1868-1912) Buddhism and what is now called Shinto (native religious practice) were often combined in a syncretic form of worship.
The fire walking ritual is believed not only to cleanse all those who undergo it of one year's worth of impurities, but also helps to invigorate the sun, which until the day after the solstice gradually becomes weaker and weaker in the sky.
I myself almost took off my shoes and passed through the flames. I was seriously contemplating it... but I got cold feet.
Maybe next year.
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A History of WHITE DAY in Japan
Shopping for White Day in Tsukuba The Japanese calendar of annual events has gone through many changes over the centuries, with certain customs variously having been added, forgotten, or transformed into something unrecognizably different from what they started out as. And while the origins and evolution of many of Japan’s most famous NENCHUGYOJI (年中行事、traditional annual events) remain obscured by the veil of their antiquity (by Japanese standards), the rise of one new, but now already widely established custom, occurred in the full light of the Late Showa Period (the late 70s-late 80s), and can be traced in great detail.
White Day Shopping in Tsukuba I am talking about White Day, the UNIQUE answer which arose to Japan’s UNIQUE way of celebrating Valentine’s Day, in which WOMEN give gifts (usually chocolate), not only to one SPECIAL SOMEONE or male family members, but (also) to several (or numerous) classmates, colleagues, teachers, etc. On White Day, which falls exactly one month later, on March 14th, the men who have received their Valentine’s chocolate are expected to give OKAESHI, a gift in return, which most commonly consists of marshmallows, chocolate, cookies, or cakes (usually white, or at least light colored), and which as SPECIAL gifts to THAT SOMEONE SPECIAL might take the form of flowers or even lingerie (white, of course! ).

That is why, this week, you will notice a difference in the look of the average shopper at Seibu Department Store’s ground floor food section. Until the store closes its doors on Saturday the 14th, there will be an ever increasing preponderance of men in suits, or older men — well, just plenty of men in general — types who are not usually spotted in groups food shopping at department stores in Japan. These gentlemen, under pressure, have a daunting task ahead of them: deciding, out of all the possible choices of cakes, cookies and chocolates available at the specially set up, temporary White Day counters, which to purchase as White Day gifts. You might notice that some older men even bring their wives along to help them decide. These women are not picking out sweets for their husbands mistresses (though a few might be!). They are selecting the proper OKAESHI for all the chocolates their husbands received at work. Not returning the gifts would more than likely mean not getting chocolate from the snubbed person next year, and in contemporary Japan, the amount of Valentine’s chocolate one gets is a point of pride. Besides, for the Japanese, OKAESHI is an important part of all social relations in Japan, and not returning a gift would be considered thoughtless or even insulting in some situations.
That is why, considering the one-way, woman to man, Valentine’s Day which has developed in Japan, it is not strange at all that a day like White Day came into being. The only question for me is, why did it take so long?
It took 5 years of perseverance and close cooperation between various confectioners before a chord was struck with the general population’s deeply ingrained sense of GIRI (obligation) and the commonly held view that all gifts should be returned.
It was only in 1978, more than 10 years after Valentines Day had become a part of Japanese life, that the 3rd generation owner of Fukuoka City’s Ishimura Manseido (石村萬盛堂) Confectionery Shop asked the same question in a letter to the editor of a women’s magazine. Why was there no OKAESHI for the gifts given on Valentine’s Day? He recommended that marshmallows be a feature of any sweet given on the day that he suggested be called Marshmallow Day. It was not until the next year that a group of confectioners got together to promote this new idea, and came up with the name White Day.
In June 1979, a meeting of the the All Japan Sweets and Confectionery Makers Union (全国飴菓子工業同組合) convened in Nagoya and decided to go ahead with a White Day Campaign, which would be implemented in 1981.
The advertising campaign was a big success in the first year, with excellent sales for many of the products which were promoted. For the next 4 years, however, things went downhill. By the fifth year of White Day campaigning, the group of organizers was ready to call it quits. They decided to make one last effort.
That year, 1986, which was meant as one last try at success, proved to be the turning point in making White Day a regular NENCHUGYOJI. In fact, that year ,there was not enough supply to meet the demand for White Day products. Profits exceeded 5.5 billion yen.
Well, for better or for worse, that’s how we got White Day.
So guys, don’t forget. In Japan, its always give and take. If you don’t give back, you don’t get no more! Happy shopping!
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A Look at Moon-Viewing ( O-Tsukimi, お月見) in Japan

The full moon of mid-autumn with pampas grass (susuki)
When they followed their traditional LUNISOLAR calendar, now referred to as the kyu-reki (旧暦, former calendar) or inreki (陰暦), the Japanese were always in tune with the MOON and its PHASES. In fact, under that old system of ordering the days, months and seasons ( first introduced to Japan from Tang China via Korea sometime in the mid- 6th century), the days of the month were directly connected to the moons waxing and waning. Thus, it was possible on many specific dates to predict the shape that the moon would take in the sky on that particular night. Most famously, the FULL MOON (満月、mangetsu) would always appear on the night of the 15th (ju-go-ya, 十五夜) of each month.
Since the Japanese government of the Meiji Period ( a time of rabid Westernization and modernization) decided to drop this old lunisolar calendar in favor of the solar based Gregorian one( in 1873), consciousness of the moon and its cycle has been ON THE WANE, as the dates of the NEW CALENDAR no longer coincide with the lunar phases. Thus, even though some modern Japanese calendars DO show the KOYOMI dates (in hard to notice, small print) , it is still easy to lose track of when important traditional ceremonies are coming up. It is ironic, that it is now CONVENIENCE STORES (an institiution which can be said to bear great responsibility in the precipitous demise of traditional lifestles and family relationships), which help remind the general public about the coming of one of Japan`s MOST ANCIENT AND ENDEARING CUSTOMS- O-Tsukimi ( お月見, Moon-Viewing). They do this by setting up displays ( which look charmingly home-made) featuring the iconic symbols of the event- moons and rabbits ( according to Japanese and Chinese legend, there is a rabbit on the moon!), Tsukimi-Dango ( moon shaped rice dumplings) and Chinese moon cakes, as well as stalks of real pampas grass (susuki, 薄).

Tsukimi-Dango and pampas grass at a conveience store in Tsukuba
Though the moon`s beauty can be appreciated at any time of year, in Japan doing so is strongly connected with AUTUMN. In fact , in Haiku poetry the word moon- TSUKI (月), by itself , is a keyword indicating the fall. This is not only because at that time of year temperatures and weather conditions are at their most suitable for such outdoor activity at night, but also because, in the northern hemisphere, the moon seems to be especially large and NEAR to us during the autumn months.
For the Japanese, whose culture is so connected to the changing of the seasons and the appreciation of natural beauty, viewing this autumn moon ( the Harvest Moon, in English) came to be one of the most cherished and anticipated activities of the year!. There was (is) even the saying- HARU WA HANA- AKI WA TSUKI- in spring cherry blossoms, in autumn the moon! Countless works of art, especially in poetry and painting focused on the moon as its major motif, suggesting not only beauty, but continuous change, and even revival. Here is one very famous ( and anonymous) classical poem which expresses the SPECIAL joy of viewing the moon in mid-autumn:
Tsukizuki ni tsuki miru tsuki wa oo keredo tsuki miru tsuki wa kono tsuki no tsuki ( 月々に月見る月は多けれど月見る月はこの月の月) , which I translate, using the word moon to mean both MONTH and MOON, as it does in Japanese-
Moon after moon there are so many moons to be viewed, but as for a MOON-VIEWING moon there is none other than this moon`s moon!
![091003_1348~01[1]](http://blog.alientimes.org/wp-content/uploads/2009/10/091003_1348011-225x300.jpg)
According to the traditional calendar, the months of autumn are the 7th, 8th and 9th, months. These roughly correspond to the Gregorian late August, September, October and early November. The custom of viewing the mid-autumn full moon (仲秋名月, chu-shu-meigetsu), which appears in the sky on the 15th day of 8th month (sometime in September or October according to the new calendar) while eating , drinking and composing and reciting poetry, was introduced to Japan from China. The oldest record of such a formal Chinese- style Moon-Viewing party held by the Japanese Imperial Court dates back to the year 856 ( the third year of the Emperor Saikou). However, many scholars believe that the Japanese people had been making offerings to the moon, in order to pray for or give thanks for a good harvest, since LONG BEFORE the Chinese style celebrations were introduced.
The reason for assuming this, is that among the common people ( and later for anyone doing Tsuki-Mi), it was (and still is) the custom to offer SATO-IMO (里芋), taro, to the moon in this season , as part of a general rite of prayer called the HATSUHO-MATSURI (初穂祭り, Festival of the First Harvest). In fact, an alternate name for the mid-autumn full moon is the TARO-FULL-MOON (IMO-MEIGETSU. 芋名月), which might just very well be a LIVING CONNECTION with Japans prehistoric, pre-rice cultivating past, when the taro was the staple food of the inhabitants of these islands.

Taro and Tsuki-mi Dango offered to the Moon
Another indication that there was a native Japanese version of the Chinese custom of moon-viewing is the fact that in Japan, it is considered incomplete, or even UNLUCKY to do TSUKI-MI only on the 15th day of the 8th month ( the day the Chinese do it). Doing so is called KATAMI-TSUKI (片見月), literally, a half-viewed moon. For a full and satisfactoryTSUKI-MI one also had to view the moon and make offerings on the 13th DAY OF THE 9th MONTH ( called- Ju-san-ya, 十三夜). It is possible that before the Chinese custom of formal moon-viewing was introduced that the Japanese had a similar custom, involving offerings and supplications to the moon, which took place about one month later. It has also been suggested by commentators, that the shape of the moon on the 13th ( 十三夜), not quite, but just nearly full, is more appealing to the aesthetic sensibilities of the Japanese!
Anyway, no matter what the origins, people continue to do tsukimi to this day. Whereas the Chinese have a national holiday and celebrate by eating large, round moon cakes ( to symbolize family unity), the Japanese make offerings to the moon ( by leaving them in a place exposed to the moon-light) of seasonal crops ( chestnuts, persimons, taro, apples), seasonal plants ( bush clover, etc.) and little round rice dumplings called Tsuki-mi dango. Usually 15 ( for the 15th night) or 12 ( for 12 months of the year) of these dango are placed in a traditional tray called a SANBO (三方) . One very interesting folk belief related to these dango is that your family will have good luck ( and a good harvest) if these little sweets are stolen from your offering tray! Thus, moon-viewing night was an exciting time for kids, who would be permitted, or even encouraged, to steal the neighbors dango. These kids were (are ) called O-Tsuki-Mi Dorobo ( お月見泥棒)。
An essential element for any Tsukimi event is some pampas grass. One thing that stands out in my memory is that every year at moon viewing time, the 7-11 near Doho Park, in Tsukuba, gives out free susuki to any one who wanted it .
The significance of this plant is not only its being emblematic of the season. It also resembles rice stalks (though much larger, they are a member of the same family), and thus, moon viewing offerings symbolically connect the old slash and burn agriculture of prehistoric Japan ( the taro) with the culture of rice ( by the presence of susuki and the rice dumplings, in former times the real rice would not have been harvested yet). Susuki also has prickly leaves and stems on its leaves and is sharp where it is cut off, making it useful for symbolically driving away evil.
Most importantly, the stalks act as YORISHIRO (依代), antennae which attract the spirit of the moon to the offerings ( at New Years Kadomatsu, bamboo and pine decorations, are yorishiro- and on childrens day the poles of the carp streamers (Koi nobori) originally had the same function.
Last night as I watched the Tsuchiura fireworks from afar. I was lucky enough to be able to occassionally see the mid-autumn moon whenever the clouds presented an opening. The people around me were all alternately viewing the Hanabi and the moon. It is hard to say which was more entrancing. Standing where we were, amid the fields of pamapas grass was a truly moving Tsukimi experience.
If the moon can fill modern man( for whom it is merely a PIECE OF ROCK orbiting around the Earth), with such wonder, imagine how mysterious and even awesome it was to those who had no scientific explanation for it.
Besides providing precious light at night, the Japanese realized that the moon did have an influence on the world around them, the tides, the activities of animals (sea turtles lay their eggs on full moon nights), etc. They also felt a strong connection between the moon and womens menstrual cycles and by extension childbirth.
It is because of this that in Japan, besides the autumn moon viewing events, there were regularly held prayer meetings on particular days of the month ( depending on the community). In Tsukuba, such meetings ( O-Koh, お講) are still held on the 19th of the month. Numerous sacred stones attest to the fact that other nights were once popular for holding these gatherings at which women prayed for easy delivery and family health. Probably the most common of these stones commemorate prayers on the 23rd night (二十三夜).

Sacred Stone reading- 23rd night ( ni-ju-san ya), indicating that special prayer meeting were held during that phase of the moon
If you didnt do Tsukimi last night, you still have the chance next month.You too can join the minion of LUNATICS. In fact, the moon-viewing afficionados of old would enjoy not only the full moon of the 15th, but also, in their uncontrollable anticipation, watch the 14th night moon. This night was called MACHIYOI (待宵), the night of excited expectation! Then after the 15th, day by day, the moon rises a little later and its shape grows more and more cut-off. There are specific names the poets have given to each of these phases of the mid-autumn moon. Last night on the 16th ( of the old calendar) I viewed the IZAYOI (十六や), tonight the 17th, will be the TACHIMACHI-ZUKI (立待月), the 18th the IMACHI-ZUKI (居待月, and so on.
This year the 13th night of the 9th month (ju-san-ya, 十三夜) will fall on October 30th.
For more on this season read:
http://blog.alientimes.org/2008/11/kaki-is-the-color-and-flavor-of-fall-in-rural-japan/
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