7th Anniversary events at You World
(No, Tsukuba You World doesn't pay me for doing this, in case you are wondering!)
Tsukuba You World is currently celebrating its 7th Anniversary, and you can take advantage of their special offers and events.
Cineplex Tsukuba
1) 1000yen admission day - July 8, Sunday
2) Meet Picachu and Shrek - July 7 and 8
11:25AM, 13:30PM, and 15:40PM on both days.
(Expect the chaos!)
3) Quiz rally
Spa You World
1) Special drama performances from July 1 to July 30
2) 1050yen admission day and free gifts to first 250 people - July 8
For You World's free bus services, please read this post:
Parking at You World & Free bus service
Shrek 3 Schedule:
Schedule for Shrek3 at Cineplex Tsukuba
Repsa Mall, a strip mall along Route 354, just minutes from You World will also be holding their big summer event this weekend, so it's not hard to imagine how horrible the traiffic on that stretch of Route 354 will be this weekend.
Print This Post
A Fine day For Fire-Walking at Mt Kabasan (加波山) !
It is ironic that with Japan's often gloomy summer rainy season, there is usually plenty more sunshine in mid-winter than there is in mid-summer. And so, though today, the To-Ji (冬至), or winter solstice was certainly the shortest day of the year, it was also one of the sweetest -- with clear blue skies, no winds, and temperatures which were neither too hot nor too cold. In other words, a perfect day for fire-walking, which is what was going on today at Makabe's Kabasan Jinja Shrine, just as it has been on every winter solstice day for more than five hundred years.
When I arrived at the shrine at noon, a dense and excited crowd had already gathered tightly round the area which had been marked off earlier in the day with sacred bamboo (imitake) and rope (shimenawa). Standing on tip-toes (I am not your stereotypical TALL gaijin) I could have a look at what was going on within the sacred space. At the far end, a portable shrine had been set up, with various offerings from the sea (umi no mono), from the fields (yama no mono), and plenty of O-Miki (ritual sake) neatly arranged on an altar which was also adorned with branches of sacred sakaki, which would attract the GODS to this spot.
In the center of the cordoned off space was a neat pyre of chopped pine wood, with some ritual paper representing the deity of the shrine placed on top in the center. Five men, two of them younger, and three much older who were dressed in white robes and head-dresses more reminiscent of the Sahara or Arabia than China or Japan, were busy with various preparations. The oldest gentleman, who I later learned is in his mid-80s, was performing various purification rituals, consecutively waving sakaki, a sword, and blowing a conch (hora-gai).
Quickly tiring of standing on tip-toes, I set about exploring the precincts of this venerable shrine, which legend says was first founded by the semi-mythical barbarian subduer Yamato Takeru, who supposedly prayed at this site for victory in his campaigns of Eastern conquest. Today scores of parishioners clad in white HAPI coats and head-bands were busy chatting in the various shrine offices. Other visitors, from far and near, were buying votive tablets, tossing coins into the main offering box, taking pictures, or just waiting around impatiently for the ceremony to begin.
I was also able to chat with some of the shrine staff about the history of the shrine and the fire walking ceremony (Hi-Watari), which I will relay to you later. But now it was time to get into position for watching and photographing the ritual, and relying on plenty of pent up New York wile and CHUZTPAH I was able to manoeuvre myself into a favorable spot.
At this point, the old men in white were kneeling in front of the altar, muttering incantations with great concentration and solemnity. They then went ahead and lit the pyre, which on the windless day burned beautifully. The crowd watched the flames, as if intoxicated, for more than thirty minutes, as the old priests circled, chanting to themselves, and going through what looked like martial arts KATA (pattern practices), sometimes miming sword strikes which included strong KIAI (cries of EEII). They also would occasionally take colorful amulets from their belts and hold them up to the fire as they circled, looking as if they were seeking the fire's weak points which they would attack.
As the fire burned down, the younger men used long sticks to create a path down the center of the pyre. When this was ready, the oldest man drew his sword and performed another purification ritual. Building up his courage he let out a strong kiai as he passed through the center of the flames. He then stopped in front of the altar acknowledged the KAMI (Gods) and took a swig of O-Miki. He was quickly followed by the other white-men.
When they were finished, it was the parishioners' turns. They all filed through the fire, and then on to the altar, as if drawn uncontrollably to the sacred SAKE.
After leaving the sacred area these locals proceeded to the shrine office where they cleaned their feet, received a certificate of having participated and settled down for some beverages and snacks. After all the parishioners had passed through the flames, it was time for anyone else who wanted to to do so.
This took quite a long time, as all sorts of folks, young old, mothers carrying babies, passed through the fire.
When I asked those who had just passed through if their feet burned, they all seemed to agree that more than hot feet, it was their faces that felt the heat, from the flames on both sides.
When the last person FINALLY passed through, the old man called out - FINISHED. Then pandemonium broke out; as the crowd rushed into the sacred compound.
Many locals bring metal containers into which they put some burnt wood or embers from the fire. They then keep this in their houses for one year as protection from colds. The mad scramble for these red hot pieces of wood seemed very dangerous, but luckily no one seemed to have gotten burned.
The Mt. Kaba Shrine Fire Walking Ritual had come to an end, and everyone seemed very satisfied indeed.
In 1394, the abbot of the Enryaku-Ji temple, which protects Kyoto from the unlucky North-Eastern direction and is probably Japan's most influential temple, travelled the country making pilgrimages to its sacred sites. One place he and his entourage of monks visited was Mt Kaba, which was supposed to have once been used for sacred rites. This priest, Genkai-Shonin (源海上人), carried out various esoteric rituals which were part of the Tendai Sect and had been brought to Japan from India and perhaps Persia, by way of China where the sect's founder Saicho had come into contact with them. It is from these ancient practices that the current Mt Kaba Shrine's Fire Walking Ritual have evolved, and that is why they have such an exotic air. Please keep in mind that until the Meiji Period (1868-1912) Buddhism and what is now called Shinto (native religious practice) were often combined in a syncretic form of worship.
The fire walking ritual is believed not only to cleanse all those who undergo it of one year's worth of impurities, but also helps to invigorate the sun, which until the day after the solstice gradually becomes weaker and weaker in the sky.
I myself almost took off my shoes and passed through the flames. I was seriously contemplating it... but I got cold feet.
Maybe next year.
Print This Post
A Fine Day to Try The Segue Human Transporter (and for Cosplay) near Tsukuba Center
Learning to ride a Segue Human Transporter in Tsukuba
I cant remember exactly when it was, but it must have been more than a decade ago when there were rumors of a new invention, soon to be revealed, which would radically tranform the way we all lived. When I finally DID find out what this contraption was, a silly sort of battery-powered scooter upon which the rider stands upright, I could not help but feel GREATLY LET DOWN ( and I guess that MOST people felt the same way), and in all the years since I had only seen this environmentally friendly machine ONCE- at Narita Airport being ridden by a patrolling security guard.
Once, until TODAY, when I saw three or four SEGUE Human Transporters ( as these vehicles have been dubbed), which have been lent by Segue Japan to Tsukuba City for a special event focusing on CLEAN ENERGY!
That means that YOU, or anyone else with the gumption to try riding one of these crazy machines ( as you have probably heard the man who had bought the company from its original owner died after falling off a cliff while riding his Segue), can give it a try- completely free of charge!
To assist you in getting the hang of it, several Tsukuba university students, who have been trained by the Segue company, will be there, as instructors.
You will be able to take advantage of this opportunity through February 16th, from 10AM to 4 PM- at the building in the middle of the pond, just across from Tsukuba`s Expo Center.
While there, you can also try riding a battery powered bicycle. While waiting for your turn you can soak your feet in the warmth of a solar- powered foot bath.
I gave the Segue a try myself, and I must say that I enjoyed it alot. It IS quite amazing! You can learn the basics in a couple of minutes and then can guide the scooter with the merest shifting of your weight.
It will not revolutionize society, but it sure is fun.
Getting the hang of it!
Those of you who tried the Segue today (Feb. 13th 2011), or were just enjoying a stroll through Tsukuba`s Central Park, were in for an EXTRA treat- The Cosplay Festival- which was held a mere 100 meters away from the Green Living Event!
Dozens of young men and women ( and some not so very young) were dressed up as their favorite ANIME or game characters! What did they do? Well, nothing much- just alot of preening and posing before the cameras. Yes, there were plenty of eager photographers ( professional, or at least with professional looking equipment!) shooting away. It seemed as if some were even paying money for the Cosplayers to pose.
I found out the hard way that you had better ask for permission before taking pictures at such events. As I was taking a couple of candid shots ( with my cell phone), three girls came over to scold me for my poor manners. Then again, by being so authoritarian they might have just been getting into their characters- they were dressed as Nazis!
Cos-Play in Tsukuba`s Central Park- right in front of the library ( Feb. 13th 2011)
It was all quite bizzarre! A conversation that I overheard between a 40- ish Japanese couple sums it up. Shocked by the scene of so many photographers snapping away at the Cosplayers, the wife disapporvingly said- Why are they paying them so much attention? Why are they taking pictures?
Her husband cooly responded: Its....... CULTURE.
And what brings all this culture to Tsukuba? The Tsukuba Express! Yes, train-lines, like rivers of old, are conduits of culture- and now brainy, bookish conservative Tsukuba is linked directly to Akihabara- the OTAKU Capital of Japan!
TX has brought the commuters, the Mt.Tsukuba Day-Hikers, and now the Cos-players!
But sorry, if you werent there today, you will probably have to wait a while before before such a scene at Chuo Koen ( Tsukuba`s Central Park)
More Cos-Play in Tsukuba
For more about the Segue:
http://www.answers.com/topic/segway
One of the many Cos-Players around the pond at Tsukuba`s Chuo-Koen Park (Feb. 13th 2011)
Print This Post
A Look at Moon-Viewing ( O-Tsukimi, お月見) in Japan
The full moon of mid-autumn with pampas grass (susuki)
When they followed their traditional LUNISOLAR calendar, now referred to as the kyu-reki (旧暦, former calendar) or inreki (陰暦), the Japanese were always in tune with the MOON and its PHASES. In fact, under that old system of ordering the days, months and seasons ( first introduced to Japan from Tang China via Korea sometime in the mid- 6th century), the days of the month were directly connected to the moons waxing and waning. Thus, it was possible on many specific dates to predict the shape that the moon would take in the sky on that particular night. Most famously, the FULL MOON (満月、mangetsu) would always appear on the night of the 15th (ju-go-ya, 十五夜) of each month.
Since the Japanese government of the Meiji Period ( a time of rabid Westernization and modernization) decided to drop this old lunisolar calendar in favor of the solar based Gregorian one( in 1873), consciousness of the moon and its cycle has been ON THE WANE, as the dates of the NEW CALENDAR no longer coincide with the lunar phases. Thus, even though some modern Japanese calendars DO show the KOYOMI dates (in hard to notice, small print) , it is still easy to lose track of when important traditional ceremonies are coming up. It is ironic, that it is now CONVENIENCE STORES (an institiution which can be said to bear great responsibility in the precipitous demise of traditional lifestles and family relationships), which help remind the general public about the coming of one of Japan`s MOST ANCIENT AND ENDEARING CUSTOMS- O-Tsukimi ( お月見, Moon-Viewing). They do this by setting up displays ( which look charmingly home-made) featuring the iconic symbols of the event- moons and rabbits ( according to Japanese and Chinese legend, there is a rabbit on the moon!), Tsukimi-Dango ( moon shaped rice dumplings) and Chinese moon cakes, as well as stalks of real pampas grass (susuki, 薄).
Tsukimi-Dango and pampas grass at a conveience store in Tsukuba
Though the moon`s beauty can be appreciated at any time of year, in Japan doing so is strongly connected with AUTUMN. In fact , in Haiku poetry the word moon- TSUKI (月), by itself , is a keyword indicating the fall. This is not only because at that time of year temperatures and weather conditions are at their most suitable for such outdoor activity at night, but also because, in the northern hemisphere, the moon seems to be especially large and NEAR to us during the autumn months.
For the Japanese, whose culture is so connected to the changing of the seasons and the appreciation of natural beauty, viewing this autumn moon ( the Harvest Moon, in English) came to be one of the most cherished and anticipated activities of the year!. There was (is) even the saying- HARU WA HANA- AKI WA TSUKI- in spring cherry blossoms, in autumn the moon! Countless works of art, especially in poetry and painting focused on the moon as its major motif, suggesting not only beauty, but continuous change, and even revival. Here is one very famous ( and anonymous) classical poem which expresses the SPECIAL joy of viewing the moon in mid-autumn:
Tsukizuki ni tsuki miru tsuki wa oo keredo tsuki miru tsuki wa kono tsuki no tsuki ( 月々に月見る月は多けれど月見る月はこの月の月) , which I translate, using the word moon to mean both MONTH and MOON, as it does in Japanese-
Moon after moon there are so many moons to be viewed, but as for a MOON-VIEWING moon there is none other than this moon`s moon!
![091003_1348~01[1]](http://blog.alientimes.org/wp-content/uploads/2009/10/091003_1348011-225x300.jpg)
According to the traditional calendar, the months of autumn are the 7th, 8th and 9th, months. These roughly correspond to the Gregorian late August, September, October and early November. The custom of viewing the mid-autumn full moon (仲秋名月, chu-shu-meigetsu), which appears in the sky on the 15th day of 8th month (sometime in September or October according to the new calendar) while eating , drinking and composing and reciting poetry, was introduced to Japan from China. The oldest record of such a formal Chinese- style Moon-Viewing party held by the Japanese Imperial Court dates back to the year 856 ( the third year of the Emperor Saikou). However, many scholars believe that the Japanese people had been making offerings to the moon, in order to pray for or give thanks for a good harvest, since LONG BEFORE the Chinese style celebrations were introduced.
The reason for assuming this, is that among the common people ( and later for anyone doing Tsuki-Mi), it was (and still is) the custom to offer SATO-IMO (里芋), taro, to the moon in this season , as part of a general rite of prayer called the HATSUHO-MATSURI (初穂祭り, Festival of the First Harvest）. In fact, an alternate name for the mid-autumn full moon is the TARO-FULL-MOON (IMO-MEIGETSU. 芋名月）, which might just very well be a LIVING CONNECTION with Japans prehistoric, pre-rice cultivating past, when the taro was the staple food of the inhabitants of these islands.
Taro and Tsuki-mi Dango offered to the Moon
Another indication that there was a native Japanese version of the Chinese custom of moon-viewing is the fact that in Japan, it is considered incomplete, or even UNLUCKY to do TSUKI-MI only on the 15th day of the 8th month ( the day the Chinese do it). Doing so is called KATAMI-TSUKI (片見月）, literally, a half-viewed moon. For a full and satisfactoryTSUKI-MI one also had to view the moon and make offerings on the 13th DAY OF THE 9th MONTH ( called- Ju-san-ya, 十三夜）. It is possible that before the Chinese custom of formal moon-viewing was introduced that the Japanese had a similar custom, involving offerings and supplications to the moon, which took place about one month later. It has also been suggested by commentators, that the shape of the moon on the 13th ( 十三夜), not quite, but just nearly full, is more appealing to the aesthetic sensibilities of the Japanese!
Anyway, no matter what the origins, people continue to do tsukimi to this day. Whereas the Chinese have a national holiday and celebrate by eating large, round moon cakes ( to symbolize family unity), the Japanese make offerings to the moon ( by leaving them in a place exposed to the moon-light) of seasonal crops ( chestnuts, persimons, taro, apples), seasonal plants ( bush clover, etc.) and little round rice dumplings called Tsuki-mi dango. Usually 15 ( for the 15th night) or 12 ( for 12 months of the year) of these dango are placed in a traditional tray called a SANBO (三方) . One very interesting folk belief related to these dango is that your family will have good luck ( and a good harvest) if these little sweets are stolen from your offering tray! Thus, moon-viewing night was an exciting time for kids, who would be permitted, or even encouraged, to steal the neighbors dango. These kids were (are ) called O-Tsuki-Mi Dorobo ( お月見泥棒）。
An essential element for any Tsukimi event is some pampas grass. One thing that stands out in my memory is that every year at moon viewing time, the 7-11 near Doho Park, in Tsukuba, gives out free susuki to any one who wanted it .
The significance of this plant is not only its being emblematic of the season. It also resembles rice stalks (though much larger, they are a member of the same family), and thus, moon viewing offerings symbolically connect the old slash and burn agriculture of prehistoric Japan ( the taro) with the culture of rice ( by the presence of susuki and the rice dumplings, in former times the real rice would not have been harvested yet). Susuki also has prickly leaves and stems on its leaves and is sharp where it is cut off, making it useful for symbolically driving away evil.
Most importantly, the stalks act as YORISHIRO (依代), antennae which attract the spirit of the moon to the offerings ( at New Years Kadomatsu, bamboo and pine decorations, are yorishiro- and on childrens day the poles of the carp streamers (Koi nobori) originally had the same function.
Last night as I watched the Tsuchiura fireworks from afar. I was lucky enough to be able to occassionally see the mid-autumn moon whenever the clouds presented an opening. The people around me were all alternately viewing the Hanabi and the moon. It is hard to say which was more entrancing. Standing where we were, amid the fields of pamapas grass was a truly moving Tsukimi experience.
If the moon can fill modern man( for whom it is merely a PIECE OF ROCK orbiting around the Earth), with such wonder, imagine how mysterious and even awesome it was to those who had no scientific explanation for it.
Besides providing precious light at night, the Japanese realized that the moon did have an influence on the world around them, the tides, the activities of animals (sea turtles lay their eggs on full moon nights), etc. They also felt a strong connection between the moon and womens menstrual cycles and by extension childbirth.
It is because of this that in Japan, besides the autumn moon viewing events, there were regularly held prayer meetings on particular days of the month ( depending on the community). In Tsukuba, such meetings ( O-Koh, お講) are still held on the 19th of the month. Numerous sacred stones attest to the fact that other nights were once popular for holding these gatherings at which women prayed for easy delivery and family health. Probably the most common of these stones commemorate prayers on the 23rd night (二十三夜).
Sacred Stone reading- 23rd night ( ni-ju-san ya), indicating that special prayer meeting were held during that phase of the moon
If you didnt do Tsukimi last night, you still have the chance next month.You too can join the minion of LUNATICS. In fact, the moon-viewing afficionados of old would enjoy not only the full moon of the 15th, but also, in their uncontrollable anticipation, watch the 14th night moon. This night was called MACHIYOI (待宵), the night of excited expectation! Then after the 15th, day by day, the moon rises a little later and its shape grows more and more cut-off. There are specific names the poets have given to each of these phases of the mid-autumn moon. Last night on the 16th ( of the old calendar) I viewed the IZAYOI (十六や), tonight the 17th, will be the TACHIMACHI-ZUKI (立待月), the 18th the IMACHI-ZUKI (居待月, and so on.
This year the 13th night of the 9th month (ju-san-ya, 十三夜) will fall on October 30th.
For more on this season read:
http://blog.alientimes.org/2008/11/kaki-is-the-color-and-flavor-of-fall-in-rural-japan/
Print This Post
A Look from Behind: The Yakushi-Ji Treasures In Ueno
Putting oneself through physical and/or mental hardship as a way of achieving spiritual growth has long been connected with Buddhism in Japan. That was why, when I arrived at the National Museum in Ueno on a sweltering spring morning, I did not find it inappropriate to have to wait outside in the sun for 90 minutes to get into the current exhibition -- The Treasures of Yakushi-Ji Temple. Of course, upon first catching site of the impossibly long line, a winding python made up of thousands of senior citizens, I thought about heading for less crowded quarters. But I had had my heart strongly set on seeing this exhibition before it closed on June 8th, and anyway, I had certainly been made to wait even longer, at this very museum , many times before. It had almost always been worth it.
I imagined that most of the Buddhist art enthusiasts patiently waiting in line with me had already been to Nara and visited Yakushiji. I also came to the realization that if I had gotten on the shinkansen it would not take very much longer to reach the temple itself than it would to finally reach the entrance of the museum (though it would have been a BIT more expensive).
What the large crowds had been gathering for, every day for weeks already, was a look from behind. A look at the back-sides of 3 great Buddhist images whose backs are usually covered by ornate, body length, gilded halos or aureoles (光背, kohai). For this exhibition, these figures, most famously the bronze Bodhisatvas Nikko and Gakko, were separated from their back-stand halos allowing their elegantly molded posteriors to be gazed upon by anyone with a ticket and tough enough to endure the lines.
In addition to this rare chance to peek BEHIND the scenes, the exhibition featured treasures which have never been displayed all at once.These are usually kept in Yakushi-Ji`s treasure house and are
exhibited as individual pieces or sets at various times around the year.
Centuries of being imbued with the samurai virtues of patience and perseverence has clearly had a huge impact.Not a complaint could be heard from the sun-exposed crowd.Each visitor seemed to be in a heat induced daze by the time they reached the air-conditioned exhibition hall .
Then things really got difficult. All the pent up energy and bridled excitement seemed to burst forth in my elderly fellow museum-goers and it took strength and cunning to jockey myself into a position in which I could see any of the works on display.
This might sound like a nightmare, or a Buddhist version of hell, but in fact it was fascinating and highly rewarding in many ways. For me observing the visitors and overhearing their comments was what probably sticks in my mind most. Since this was an exhibition of Buddhist works, and not just ART, it seemed to me that most of the visitors were trying their best to have a spiritual experience. Their GAZE was special, like that reserved for cherry blossom viewing or funerals. A typical exclamation that I heard among the crowds viewing the 3 meter tall bronze Boddhisatvas was: They really DO make me feel calm. (yappari miru to iyashi ni naru).
In terms of the works on display themselves, I was more impressed (in terms of beauty) by the three small figures (39cm) of the Hachiman Triad. I prefered them because they are carved from wood, and I have always felt that the Japanese sculptors often showed great genius when working in that medium. When such skillfully carved wooden pieces are aged more than a thousand years, the effect is mysterious and mesmerizing.
It is also of interest to note how Shinto Gods were early adopted into Buddhism, with Hachiman (the deified emperor Ojin) having early on become a protector of the new, imported faith.These figures are some of the earliest,if not THE earliest examples of Shinto sculpture(before Buddhism took hold the Gods had not been
represented as graven images). I can go ON and ON about each piece I saw. By why should you waste your time reading when you still have a few more days to see and experience for yourself.Or check the exhibition web-site.
I left the museum and its bookstore with heavy feet and even heavier bag, and a light head and even lighter wallet.However, I really did feel serene(exhaustion?) sitting on TX reviewing what I had just seen in the excellent catalogue of the show.
Don't let the lines deter you(bring some good books along). I guess that in the west we also have the notion of growth through hardship: you know NO PAIN, NO GAIN.
The exhibition will be on until June 8 at the National Museum in Ueno.
Print This Post