Ballads in Wood – This Friday
I apologize for such short notice, but ACCS, Tsukuba’s cable TV station, will air an interview of Elizabeth Robles from a bit after 18:24pm and 20:15pm on Channel 9 tonight. Some of you might have already watched it from 10:54am or 12:54pm.
Elizabeth and the local artists will be performing at Tsukuba Capio (MAP) this Friday. Please read the article by Avi in January issue of the Alien Times. To find out where you can get a copy of the latest Alien Times, please visit: http://www.alientimes.org/Info/Distribution
“BALLADS IN WOOD at Capio -CONTEMPLATING LIFE”
February 8, Friday and February 22, Friday
Doors open at 5:30pm and performance begins at 7pm
Ticket prices are as follows:
Adult - 1800yen Advance, 2000yen At door.
A ticket for two - 3000yen. Advance purchase only.
Elementary and junior high school students – 900yen Advance, 1000yen at door.
Tickets are available at Tsukuba Capio, Nova Hall, Sango Mizuki Art and Café in Tsukuba, Soba-ya Gallery Kuraya in Ami Town, Yuhodo Bookstore in Azuma and R☆Scene, a hair salon in Namiki.
You can also reserve your tickets by making a payment to the following postal account in advance, and receiving your tickets at the reception desk. Make sure to enter the date, February 8th OR 22nd and the type(s) of ticket(s) you are reserving in the remarks column. Also, please reserve your tickets well in advance in you are planning on reserving tickets via postal account.
Account Number(口座番号):
00160-1-762382 エリザベス・ロブレス (Elizabeth Robles)
or you can contact me at rrfish.tsukuba[at]gmail.com if you are interested in purchasing the advance ticket(s) or if you’d like to know more about this conceptual art event.
Official Blog
http://www.kinoballad.blogspot.com/
Joyo Weekly article
http://joyo-net.com/weekly/1men/2008/20080201/20080201.html
Additional images
http://fishinjapan.blog8.fc2.com/blog-entry-566.html
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Big Black Heart: Photography and the Aboriginal

Big Black Heart: Photography and the Aboriginal
Tsukuba University is proud to announce the exhibition of three leading Australian photographers in Big Black Heart at the University of Tsukuba Main Hall Gallery and adjacent ArtSpace Gallery. Renowned photographer Juno Gemes and award-winning Aboriginal artists Wayne Quilliam and Bindi Cole give us outstanding visions of struggle and artistic innovation of Australian Aborigines in response to political and cultural discrimination.
Bindi Cole & Wayne Quilliam
Tsukuba University Main Hall Gallery
September 15 to October 8
Juno Gemes
Tsukuba University ArtSpace September 15 ~ October 13
Open daily 9:00~17:00 except Mondays
Tel (Japanese Only): 029-853-2382
www.art.tsukuba.ac.jp
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The Alien Times received this information from John Tran of the University of Tsukuba. Thank you!
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BlizzardBoy Talks about Dolls
Here is an interesting article by BlizzardBoy, a Tsukuba area blogger, about dolls designed by Yuki Atae.
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China Disabled People’s Performing Art Troupe to perform in Ibaraki
中国障害者芸術団 or China Disabled People's Performing Art Troupe’s performance, “千手観音(senju kan-non or one thousand-armed deity of mercy) My 夢 Dream” has been sweeping the world, and it’s coming to Ibaraki!
千手観音 My 夢 Dream - Official website in Japanese
My Dream - Official website in Chinese and in English
From My Dream website:
China Disabled People's Performing Art Troupe
was founded in 1987. With the support and cares of the whole society, the Performing Troupe bears the dreams of people with disabilities and creates a special art which delights audiences, purifies the soul with Truth, Honesty and Virtue, encourage people by strong will, and delivers friendship with sincerity. Having sought and studied for 20 years, the Performing Troupe has begun to bringing forth new ideas independently, produced classics of special art, travelled to more than 40 countries in Asia, Europe, America , Africa and Oceania . It flies its own unique banner in a colourful world and they are referred to as “ Messenger of Beauty and Humanity” by the international community and as “A Special Art Star of Mankind and Image Ambassadors for 600 Million People with Disabilities in the World” by the Disabled People's International 6 th World Assembly.
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China Disabled People's Performing Art Troupe
JAPAN First tour 2007
千手観音 My 夢 Dream
Venue:
茨城県立県民文化センター(Ibaraki Prefectural Cultural Center)
in Mito City (MAP)
Time and Date:
3:00pm (doors open at 2pm), November 3, Saturday
Tickets:
SS tickets 8,500yen – sold out their share of SS tickets
S tickets 7,500yen – very few left
A tickets 5,500yen
Box offices:
Ibaraki Prefectural Cultural Center – 029-241-1166
Ticket Pia and Lawson Ticket (ask about them at local “combinis”)
WAT Co., Ltd – sold out their share of tickets
Chiba TV Media Net 043-207-3101
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Closer Examination Of My Local Yasaka Jinja (Yasaka Shrine) Reveals Beautiful Carvings Detailing The Yamata no Orochi (八岐の大蛇) Myth

A detail from the carvings at Konda`s Yasaka shrine - note the multi-headed beast drinking from jars ( July 24th 2010)
Like so many other neighborhoods across Japan in July, Konda, in Tsukuba City ( where I live) holds a summer festival ( NATSU MATSURI). Unlike Japan`s spring and autumn festivals which are usually agriculture related and traditionally carried out with the aim of helping to ensure ( with divine assistance) good harvests, summer festivals have been held in the belief that they prevent epidemics , natural disasters and even summer lethergy. They also often involve prayers for rain.
It is typical for these summer festivals to be centered around a type of shrine now most commonly referred to as Yasaka Jinja ( 八坂神社) in which the God Gozu-Tenno ( who came to Japan from India via Korea) and the popular God of Japanese mythology, Susano no Mikoto, are enshrined ( now intermingled as one). The reason for this is that both of these deities are believed to be related to disease prevention.
When summer festivals ARE held at Yasaka Jinja shrines they are most often called Gion-Sai, or Gion Matsui ( in fact, until 1868 and the official separation of Buddhism and Shinto, these same shrines were all called Gion Shrines!)
Since the year 869, when the first Gion Matsuri was held in Kyoto with the aim of driving away an epidemic which had been raging, these shrines ( formerly Gion-Sha, now Yasaka Jinja) have spread throughout Japan ( there are approximately 3,000 of them, with dozens right here in Tsukuba), and of course still enshrine the spirits of the disease preventing deities Gozu-Tenno and Susanoo-no Mikoto. And, just as in Kyoto more than a millenium ago, these shrines still hold their NATSU MATURI ( in these cases Gion Matsuri, Gion-Sai or Tenno Matsuri) in July, with the aim of keeping their neighborhoods healthy during Japan`s brutal summers.
( There is also a type of Shrine called Tsushima Jinja ( 津島神社), of which there about 3,000 around Japan, in which the SAME DEITIES Gozu Tenno and Susanoo-no Mikoto are enshrined. The Main Shrine of this group is in Aichi Prefecture and their Natsu Matsuri is called Tenno matsuri- on the 4th Saturday in July)
Since my neighborhood`s summer festival is a Gion Matsuri type festival, and is based at our local Yasaka Shrine, AND will be held THIS WEEKEND, I figured I`d mosey on down to the shrine, have a long, close look, and try to get into the right frame of mind for the festivities.
In the process, I ended up making an exciting discovery ( for me at least!)
Standing just outside the torii gate ( which one Shinto priest once told me was a gate to the sacred which was always open) and looking in at the shrine and its grounds, things did not look very impressive. Neither imposing nor beautiful, nor even rustic, it seemed to lack the charm that I so often feel when visiting a shrine.
A rusty old sign explained explained that Susanoo-no-Mikoto was enshrined there, and that the shrine had been re-established on that site in 1731 ( though there is no mention of when it was FIRST established!)
The sign then goes on to explain that the Shimada Ishi Stone, of local legend, can be found on the grounds of the shrine, and I saw it just to my left as I passed under the Torii gate.
( Before the idea of museums was introduced to Japan, object deemed important, and which had no proper home, were often brought to shrines- especially stones)
This stone, which is quite famous in my neighborhood, was probably once the lid of an ancient tomb. Later, it was believed to help women concieve and then safely bear children. Some families still have chips of the rock on their Shinto altars ( Kami Dana), having been placed their originally generations ago by mothers who had successfully given birth.
I have heard that this hour-glass shaped stone was later used for rain supplication rites, in particular during the Great Tenmei Famine (1782). It is said that fires were lit on top of the stone in the hopthat the smoke would form, or summon rain-clouds.
A famous local legend tell how a dragon appeared in the smoke which rose out of the fire on the stone , which then headed towards Mt Tsukuba. It soon started to pour.
There was a price to pay for this success, however, according to the story: the stone would no longer help women have children.
Eventually the stone was laid within the precencts of the Yasaka Shrine ( which by the way, the locals affectionately call Tenno-Sama).
There are some other unusual stones laying about on the perimeter of this shrine. Many seem to have been used ( probably in pre-historic times) to make fires.
Continuing to explore I admired the beautiful old trees, probably about 300 years old, all gnarled and hollowed out. The shrines buildings, however, just did not seem very interesting at first.
I then noticed that in the back of the shrine, the large and boring structure was merely a protective cover for a much older and much more spectacualr structure. peeking through the planks I found fantastically elaborate carvings- better work than most shrine carvingsI have seen in this part of Japan.
There were imaginary beasts and other, apparently non-figurative designs. On the back wall I came across a complex scene, but it was difficult to make out exactly what it was. I quickly sensed,however, that it was something special!
Letting my eyes adjust to to dark and trying to find the best space with the best angle to look through, I finally made out the forms of what appeared to be- DRAGONS DRINKING FROM JARS!
Then it hit me! I knew what the scene was! One of the more famous episodes from Japan`s oldest extant written text The Kojiki ( early 8th century), and one which involved none other that Susanoo-no Mikoto, who of course was enshrined in that building.
The panel depicted the story of the YAMATA NO OROCHI (八岐の大蛇) !

Carvings at the back of Konda`s Yasaka Shrine in Tsukuba. It depicts the story of Susanoo-no-Mikoto slaying the Yamato Orochi ( as described in the Kojiki)
Let me tell it to you in brief ( if you dont already know it).
Susanoo was expelled from the realm of the Gods and descended to earth at Izumo ( now in Shimane prefecture). He saw a pair of chopsticks floating down the river and realized that there must be people around.
Searching for them he came upon an 3 people, an old couple and their daughter. They were highly distressed and needed help. That is because an eight-tailed and eight headed dragon which had killed their other daughters was coming back again for another of their daughters.
After having gained a promise of the daugher hand in marriage, Susanoo-no-Mikoto agreed to slay the monster- the Yamata no Orochi.
He order that sake ( rice wine) be brewed and then poured into into eight jugs. These would then be placed on 8 platforms, each with a gate built around it.
When the monster came, it drank simultaneously from each jug, with its eight heads.After becoming intoxicated the beast fell asleep, and was easilly slain by Susanoo-no-Mikoto.
From the Yamata no Orochi`s body, Susanoo pulled out an extraordinary sword, which later it is said became one of the three-treasures of the Japanese Imperial Family.
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Looking closely at the carvings, I found them to be a sublime depiction of the story, hewn into the wood. Trying to get my arms through the spaces between the planks to take pictures with my cell phone, made me feel a bit like the Yamata no Orochi, with its heads put into the tight gates.
Because the shrines most beatiful aspect was hidden away, I was also reminded of the Edo Period`s famous aesthetic of cool, known as IKI ( which actually had its adherents until the Second World War). According to it precipts, beauty should be HIDDEN AWAY. For example it was usual for the LININGS of coats to be very extravagant, or to have fine carving or paintings in places where they could not easilly be seen.
These carvings, so beautiful, elaborate, and HIDDEN AWAY are truly IKI!
I will try to take better pictures soon
and will try to let more people know about the existence of these works.
In the meantime, dont forget that the festival will be tomorrow and Sunday.
You can read more about my local Gion Festival here:
And more about why Susanoo-no-Mikoto is connected with disease prevention:
http://www.alientimes.org/Main/ChinowaKuguri
for more on the Yamata no Orochi:
http://en.wikipedia.org/wiki/Yamata_no_Orochi
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