Lyrics by Avi Landau
KANASHIBARI (Sleep Paralysis)
At the crossroads of wakefulness and rest
Like a schoolboy, the night before a big test
I’m on my back and I’m staring at the ceiling’
I’m overcome by this strong creepy feeling
A strange presence seeping up through the bed.
There’s thunder in my ears.
My sheets are made of lead
Then a visage presses up to my face
Oh god, get me out of this place
Kanashibari grip on me ×4
I’m hurled up and down as I breathe in and out
No matter how I try, I can’t seem to shout
There’s a strange weight pressing on my breast
Is it an incubus or succubus
that’s sitting on my chest
So tied up and I’m wrapped up in pain
Seems like for years
I’ve been bound up in chains
This phenomenon it just defies analysis
But internet says that it’s sleep paralysis
Kanashibari grip on me ×4
Listen to the Tengooz version here
and here a few seconds of the song featured in a Spanish TV commercial
Let me tell you a little about the songs history.
The entire piece generated out of a bass line which was a favorite of Tom Debor, Xenophonia`s bass player. Ascelin Gordon came up with the reggae guitar to go over it. It was up to me to come up with the melody and the lyrics. A few times we had worked on it in the living room at
The Ice Palace, and the melody for the A-pattern was pretty much set. The original theme, however, was about nuclear waste or pollution and I even might have improvised once about alien invasions.
While the song was in the process of being written, I had a very traumatic and exhausting Kanashibari experience. For non-Japanese, this expression might need explanation, and I think
the lyrics of the song pretty much explain what it is.
On a sultry summer night, as I slept, it seemed as if a face, human yet not of the flesh, zipped right up to mine, pressing right up against me. I felt as if I were paralyzed by an electric ray-gun, my whole body tingled like a foot that has fallen asleep. when I inhaled, it seemed as if a hurled
upwards and crashed into the ceiling and then crashed to the floor as I exhaled.
This probably went on for a few seconds, but it felt like the proverbial eternity. For a few days after that my whole body felt Charley Horse.
When I told Tom about my experience he sympathized and said that he often had had similar ATTACKS himself. Obviously, this phenomenon is not uncommon in Japan as there is a set expression for it, which is commonly known.
We decided to make this unusual reggae song into something about Kanashibari.
I remember righting the lyrics and the chorus melody as I walked all the way to Tsuchiura(over 2 hours) and I especially remember crossing over the bridge at the Sakuragawa River. Our first recording was done at The Ice Palace in my Tatami room. Ryutaro Kawakami laid down the crazed sax solo in what I remember as one take.
We later recorded the song again as The TenGooz, during the Inertia recording sessions. Tanaka changed the feeling of the song with his slide guitar.