Do The Shikoku 88 Temple Circuit Pilgrimage Right Here In Tsukuba At The Nichirinji Temple

Some of the 88 Miniature Halls Representing The Temples of Shikoku`s Famous Pilgrimage
In Japan, April is a month of beginnings and fresh endeavor, with millions of people starting out at new schools,classes,grades, jobs and postings, as the academic year, as well as the fiscal year ( among other things) begin in this month. This timing seems only natural, as the cycle of rice cultivation, around which Japanese life has revolved for centuries, has traditionally begun in April, just as the cherry blossoms have fallen away, with the rice seedlings being readied and the fields being flooded and prepared for the transplantation which takes place in early May. And for those who did not or were not needed to work the soil, April has also been the traditional month for setting out on a pilgrimage.

A Carved Image Of Kukai (Kobo Daishi) In One Of the Small Halls
When most Westerners hear the word PILGRIMAGE they do not think of Japan. Mecca, Rome, Lourdes, Jerusalem or even Graceland probably come to mind first. Japan , however,has been a land of GREAT pilgrimages, especially during the Edo Period (1600-1868), when the relative peace, prosperity and well maintained highway system achieved under Tokugawa hegemony made it possible for an unprecedented number of people to set off on religious journeys- either for penitence and merit or just plain adventure. Whatever the real intention was, the reason for travelling given to neighbors, and then to the authorities at the numerous and stringemt check-points was- MAKING A PIGRIMAGE. This was mainly because that was just about the only type of movement from place to place which was permitted to most citizens of Tokugawa Japan.

An Old Palanquin (kago) Hanging Outside Nichirinji`s Old Storehouse
Japanese pilgimages can actually be divided into two types, one was the SANKEI (参詣) , or visits to individual sacred places, either mountains, temples or shrines (though before the Meiji Restorarion of 1868 what we now call Buddhist temples and Shinto shrines were not at all clearly distinguishable). These had been enjoyed by the aristocracy at least since the Nara Period, and always made a good excuse for an exciting excursion away from the cloistered confines of the Court. In the Edo period, the old highways (kaido), especially the famed Tokkaido, were usually lined back to back with pilgrims (mostly revellers in fact), who walked for weeks (almost no commoners had permission to ride a horse or in a palanquin), partying most of the way, until they reached the Grand Shrine at Ise (Mie Prefecture), where they partied some more before heading home. For a hilarious account of a pilgrimage to Ise (Ise-Mairi), read the Tokkaido-Chu Hizakurige (translated into English as Shanks Mare) by the great Edo Period writer Jippensha Ikku. It will have you laughing out loud and give you plenty of insights into what life was like of the road in those days.

A Painting on the Ceiling of a Wash-Basin Shelter at Tsukuba`s Nichirinji-Temple
The second type of pilgrimage, referred to with the Japanese word JUNREI (巡礼), consists of doing a full circuit and visiting a complete set of specific temples, often in a set order. This was ostensibly a much more serious and solemn affair, a rite of passage of sorts, with the pilgrims donning special wear and gear, and journeying for days, weeks or months in straw sandals, with asceticisms, repentance and the gaining of merit in mind. Though there are several pilgrimage circuits which remain popular to this day, undoubtebly the most famous is the 88 temple circuit of Shikoku, in which pilgrims called O-Henro set out on an arduous 1000 km journey which takes about two months to complete on foot (though now it can be done by car or bus tour) to visit the places at which the great priest Kukai had supposedly done asceticisms at ( the number 88 represents the number of worldly evils designated by Kukai. a visit to all the temples would be a major step in suppressing these evil urges).
For many Japanese, especially those who had retired from their trades or were too old too help with the farming, completing the Shikoku Temple circuit was something spiritual to aspire to once in a lifetime. April was the time of year, when most O-Henro set off on their long JUNREI. As you can imagine, though, for various reasons, most could not possibly get away from their families and villages to make the trip to far off Shikoku. That is why in many parts of Japan, including Ibaraki Prefecture and even in Tsukuba itself, there are places where anyone can become an O-Henro SYMBOLICALLY. These mini-pilgrimages are called Shin Shikoku Hachijuhachi Kasho Junrei ( 新四国八十八ヵ所の巡礼ーNew Shikoku 88 Sacred Site Pilgrimage).
One place in Ibaraki where this type of pilgrimage takes place is in Azuma-Mura in Inashiki City. In April, senior citizens can be seen in white pilgrims wear, travelling on bicycle or foot, visiting the 88 small halls or temples which represent the sacred Shikoku sites. This could take a week or more! This pilgrimage begins at Azuma-Mura`s Shomei-In Temple (照明院), and ends back in the same village`s Mangan-Ji Temple (満願寺). Along the way, local residents have traditionally provided refreshments and encouragement for the pilgrims. Unfortunately, as time goes by, and with the passing of the older generation, fewer and fewer people are joining in on this symbolic journey to Shikoku.
In Tsukuba , a similar pilgrimage can be made at the Nichirinji (日輪寺)Temple in Konda, one of my all-time favorite places in Tsukuba. This Shingon Sect Temple (one of nice such temples in Konda) was originally established in 1140 by the Oda Clan, who once ruled this area. It was first intended as that family`s personal temple and it stood for centuries half-way up Mt Oda near Mt Tsukuba, until it was moved in 1531 to its present location in Konda, on the site of what was probably an outer fortress of Oda Castle (the old moat can still be seen!), during the battles which raged in the Period of Civil War. The Oda Clan was eventually destroyed.

The Old Moat Around Nichirinji
During the Edo Period, when the country stabilized, Nichirinji flourished at its new location, gaining recognition from the Shogunate and the Imperial Court and amassing extensive holdings in the surrounding area. This all came to an end, however, with the Meiji Restoration of 1868 and the subsequent persecution of Buddhism which came to be seen as an ALIEN CONTINENTAL INFLUENCE. For about four years Nichirinji was virtually abandoned and lost much of its holdings. In the 4th year of Meiji (1872), however, its priest made very active efforts to revitalize the venerable temple. This included the creation of 88 small halls, each representing on of the temple of the Shikoku Pilgrimage. In past years this was a popular thing to do. These days, however, the wooden structures seem to be all but abandoned . Vegetation can be seen growing inside them, obscuring the carved images of Kukai, the founder of the Shikoku pilgrimage Circuit, found in each one . This creates a melancholy, though highly photogenic scene.As you walk around the verdant pilgrimage path you will also come to a giant momi (fir)tree, which is truly magnificent. For me this tree alone makes a visit to this temple well worthwhile. There are also plenty of sacred stones and other things of interest within the temples precincts. Look for the old rundown palanquin (the former priests of this temple were actually granted permission to ride in one-thats how prestigious it was!) When you get to the small wash basin, check out the ceiling of the small canopy which covers it. There is an interesting and very faded painting of a TENNYO celestial maiden on it.
Pilgrimages have had a tremendous impact on the evolution of Japanese culture, and the forms and patterns adopted by the earlier generations of Japanese travellers remain clearly and uncannily recognizable in contemporary Japan. When I see bus loads of japanese tourists being run around to as many as possible of the noteworthy sites in a particular city or country, and with these tourists having a quick look around before having a photo of themselves snapped to commemorate the event, before rushing off to the next site, I cannot help but imagine pilgrims on a JUNREI, trying to visit all the temples in the circuit, not wasting any time at any particular one, getting the temple`s stamp in their stamp book as proof that they had really been there and then heading off for the next temple on the circuit. And lets not forget picking up souvenirs for all the neighbors back home (who in the old days might actually have contributed some money to support their fellow villagers pilgrimage).
Reading over these last words, I am reminded of an interesting story. A few years back I lead a group of women from rural Tsukuba, all of them grandmothers, on a five day tour of NY City. It was all an amazing experience, but what sticks in my mind most was how, at JFK airport, waiting for our flight back to Japan, our oldest (at 85) and dearest member- Toshiko, bought about fifty boxes of highly over-priced chocolates with a picture of the Manhattan skyline on their boxes, for each of the families in her neighborhood. The cost of these OMIAGE was certainly more than that of our entire trip, but that is what has been done for centuries. When a person went off on a pilgrimage they always came back with the famous souvenirs of the places they had visited.
Of course you should try to make it to Shikoku. But if you cant, there is always Nichirin-Ji.
Here is a map showing how to get to the temple -http://local.yahoo.co.jp/detail/spot/d1d9ce8298a22fa407c09359b0193341/
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The Legend Returns to the Place of Origin
Following is the article submitted to the Alien Times by the TAIHEN "The legend of Maha-Laba Villege" Performance Executive Committee. You can also read this article in the current issue of the Alien Times. [Find a copy of the latest Alien Times]
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The Legend Returns to the Place of Origin
~Internationally Acclaimed Performance Group to Perform in Tsuchiura~
By TAIHEN "The legend of Maha-Laba Villege" Performance Executive Committee

Maha-Laba Mura (Maha-Laba Village) was a commune of people with cerebral palsy which existed in Ibaraki prefecture in Japan from the mid to late 1960s. The conditions and experiences in this isolated commune led to the development of the ideas and policies of the Blue-Lawn Party. This party led an intense liberation movement of disabled people in the 1970s. The party's beliefs and actions were a challenge directed toward the value system of non-disabled society and its eugenic ideology. The party's intensity was a shock to the non-disabled world, but the movement collapsed before long.
It is a story about the genesis and decay of an isolated microcosm. People with no place in society escaped into the microcosm and built their own life. Taihen tries to picture this story as a myth, to symbolize true nature of the
universal existence of human beings.
TAIHEN has been invited by a group of Ibaragi residents to perform "The Legend of Maha-Laba Village" in Tsuchiura. This is significant both for the performers and the audience in that Maha-Laba Village was once located in Ibaragi.
TAIHEN is a physical theatre troupe of physically disabled people which has been actively performing professionally since 1983 in Japan. They have been performing internationally since 1993. Manri Kim has found that the disabled body has an expression that none other can create. Their twisted, distorted bodies, normally considered to be ungainly are transformed into peculiar beauty. What she has started is a completely new genre, neither Butoh nor dance, that has given much inspiration and hope to all people, whether disabled or not. All performers have polio, cerebral palsy or other conditions and most require 24 hour care, so they need unique backstage crews and Kurokos (assistants dressed in black as in Japanese puppet theater), who help
the performers to enter and exit the stage.

"If you are wishing to express the universe and yourself,
the means of manifestation may be found in authentic
inner motion, which might be unrecognized motion in a
customary movement".
TAIHEN is a troupe of physical performers deeply expressing
their inner selves. The performers' motions are far from
standard but they crawl, wriggle, squirm, walk, run and jump
unaided. Though their individual expressive line may not look
straight nor look stable, their inevitable movement is finely
balanced. One's movement is directly connected to one's
inner life. In Taihen's creation, the audience can unite with
the performers to sense and to experience the unity of
microcosm (physical body) with the universe.
TAIHEN's stage works are without words. The works are "physical theatre" in which physically disabled performers try to turn their distorted bodies and ungainly movement into symbolic expression. TAIHEN will speak about "Maha-Laba village" confronting a civilization steeped in the ideology of erasing disabled people, but it is not a story about the disabled people only. Rather, we speak of universal human existence.
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"The legend of Maha-Laba Villege" performances
Sunday, May 10th, 2009
Morning performance starts at 11:30, doors open at 11:00
Afternoon performance starts at 17:30, doors open at 17:00
Place:
Ibaraki Ken-nan Syogai-gakushu center
(Urara building 5F, Front of JR Tsuchiura St. West gate)
Tickets:
Adults: 3,000 yen (2700 yen advance),
students or elderlies: 2,500 yen,
A pair of the disabled and the attendant:
3,000 yen, the disabled: 2,500 yen
* You can also reserve tickets online:
http://www.asahi-net.or.jp/~TJ2M-SNJY/upcoming/mahaibaragi_res.htm
Information:
TAIHEN "The legend of Maha-Laba Villege" performance Executive Committee
Tel: 080-5097-2288 (Orito), E-mail: oriton435[at]yahoo.co.jp
Wesite (English): http://www.asahi-net.or.jp/~TJ2M-SNJY/
Blog: http://taihen.tsukuba.ch/
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Kanto Plain Is Transformed Into The Mongolian Steppes During 2 Day Festival

A Mongolia Ger Set Up In Tsukuba


Tsukuba is located on The Kanto Plain, the largest expanse of flat land in this mountainous country of Japan.Though at a mere 15,000 sq km (5,790 sq m ), it seems but a mere TUFT OF TURF when compared with the vastness of the Asian Steppes, what better place is there for Japan`s resident Mongolians to hold a festival celebrating their traditional culture. Sitting on the lawn of Tsukuba`s Central Park (Chuo Koen), this past Saturday or Sunday morning, with traditional tents (gers) being set up by costume clad Mongolians,the smell of barbeque and butter tea, and the sounds of the horse-headed-fiddle (morin huur) and throat singing (homi)blaring on the loudspeaker , one might have even imagined (with great stretch of the imagination) that they had been transported to the Mongolian grasslands, where people still live the nomadic life.
If you stayed for a while you could have also watched or even participated in the activities that the Mongols have traditionally liked best (and been VERY good at), namely- shooting arrows, wrestling and riding horses (these they were so good at that they they were able to conquer and control much of the area between Japan and Germany in the 13th century!).
Besides enjoying the festivities, the glorious weather, and the company of old and fresh acquaintance, this event could not help but set one to thinking, not only about the history and culture of Mongolia, but also of the great impact that that country has had on East Asia and regions beyond.
First, there was the sound of the Mongolian language itself, which completely unlike the tonal Chinese, could be mistaken by an overhearer as being Korean or even Japanese. This is because the ancestors of todays Mongolians, carried the grammatical fundamentals of their language with them as they spread out far to the east and west on horseback, leaving their linguistic seeds wherever they went. In some places, especially across a horizontal axis which runs across northern Eurasia, these kernals have bloomed into modern languages including among others Finnish, Estonian, Hungarian , Turkish, Kazakh, Tatar, Uzbek, Uyger, Korean and Japanese. When the KIBA MONZOKU(tribe of horsemen), so often referred to in theories on the origins of the Japanese people arrived and settled in the Japanese archipelago, they brought with them these same seeds, which eventually overwhelmed all over languages spoken by the original inhabitants of these islands. Over the centuries this fundamental grammar took on some of the vocabulary of these other languages and was of course deeply impacted by Chinese and other factors. Still, the languages of today`s Japan and Mongolia, though now mutually incomprehensible, share common roots.
Because of completely different environments, and exposure to different influences, Mongolia and Japan have naturally developed completely different cultures(the most important being that Japanese culture had long been centered around rice production while in the inhospitable climes of the steppes there was veritably NO AGRICULTURE!) Still there are some shared characterics and cultural artifacts which can be seen TODAY attesting to these shared roots. Because discussing these in detail would result in a book- length work, here I will only mention one point specifically brought to mind by last weekend`s festival.
One could not help being struck by the uncanny similarity between the Mongol style of wrestling and Japanese sumo. Especially the way the men prepped themselves by slapping their legs and stomping the ground, and also by the way that their names were chanted out before the bouts began. It seemed clear to me that in ancient times this sport had been introduced to Japan by the ancestors of the Mongols or related tribesmen, the above mentioned KIBA MINZOKU (Tribe of Horsemen), who eventually dominated Japan while blending in at the same . It was rivetting for me to see how, this particular activity, wrestling, had survived all the changes over the centuries of Japanese cultural development. Thinking about this, it seemed only natural that todays greatest sumo champion, is also the worlds most famous Mongolian- Asashoryu. One outstanding point of difference (among many), between todays sumo and Mongolian wrestling is that in Mongolia, when about is finished, the loser bends over, and is given a slap on the butt ( a patsh in the tush, as we say in NY), by the winner!
And now for a few thoughts on how the Mongols have influenced the world that came to my head while at the festival. While observing the archery, I watched with interest how reverently each of the Mongolians would treat the bow and arrow( the ones used in Tsukuba were in fact mere toy versions of the traditional weapon), usually touching them to their forehead. It was with their skill with the bow and arrow,and the special ring-trigger they developed which let their arrows fly farther than any other armies, that along with their cavalry techniques made the Mongols invicible (if they had reached the Brittish Isles, though, they would have had to confront the English long-bows and who knows what would have happened).
The terror aroused by these fearsome and virtually unstoppable warriors left an imprint which can still be seen today in many forms. The most impressive of these of course is The Great Wall of China, the worlds greatest construction project ever, which was undertaken in order to (unsuccessfully) keep the ancestors of the present Mongolians out of China.
Whenever you go to a convenience store in Japan, you will be confronted with another expression of the ancient fear of the Mongols passed down through the generations- the NIKU-MAN, or steam bun. These were developed by the Chinese as a symbolic way of eating or insulting their enemy- as these buns have the same shape as the Mongolian tents, the ger (pao in Chinese, the same word they use for the buns), much in the same way that for the Europeans the croissant symbolized the Turkish flag, which when eaten would be an insult to that feared foe (also liguistically related to the Mongols, and actually driven out of their ancient homeland and onto the road of European conquest by the Mongols)- The Turks.
As I mentioned earlier, at its zenith, the Mongol armies extended from Korea to Poland. I have always felt that the countries at the edges of this devastated territory, the two countries who for decades fearfully awaited the next dreaded attack, Germany looking to the east, and Japan looking to the continent in the west, had been traumatized by this experience, and developed SPECIAL xenophobic attitudes, which were expressed most dramatically in the mid-20th century, especially in regard to the countries out of which centuries ago they expected a Mongol attack to come from.
Germany had been spared because of the death of Ogedei ( Genghis Khans son), and the sudden (and for the Western Europeans puzzling) retreat of the Mongol armies. The Japanese, however, were actually attacked twice (in 1274 and 1281), and were only able to fight off the invading armies with the help of typhoons, which came to be known as the KAMIKAZE, the DIVINE WIND, which was after that, considered to be the protector of they felt to be a unique nation (unique in that they were not devasted by the Mongols ,as the Koreans and Chinese, before their defeats and occupation, greatly respected by the Japanese elite, had been).
Another important point for Japan is that as China was under attack, some of the great continental minds and talents were lucky enough to make their escape to Japan where they could contribute greatly to the development of Japanese culture (after they were Japanized, of course).
Enough of these musings ! Thanks to all the warm hearted and friendly people who produced the festival- it was lots of fun, and very STIMULATING! Next time you munch into a NIKU-MAN, remember what you are symbollically doing!

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Japan Turns Yellow As Nanohana (Rapeseed Flowers) Take Over The Spring Landscape

Nanohana field near Lake Kasumigaura
The cherry blossoms might be Japan`s most famous flower of spring (or ANY season for that matter), but alas, in any particular part of Japan, the pulsating, pink, cloud-like canopy that they create lasts for just a few days. As the delicate petals start to fall away, filling us with a deep sense of MUJO (無常), the passing nature of all things, the ground does remain a scattered pink for another day or two. But it is at this time that the true color of Japanese spring begins to set in and then completely dominate the rural scenery. I am talking about the wavy yellow carpets of nanohana (菜の花) which take over the riverbanks, roadsides, vegetable field borders and just about any other undeveloped open space.When looked at from a distance, the clusters of little flowers blooming on the tall and slender stems can create a dreamlike scene, especially when they stretch to the horizon filling the air with their pasty, intoxicating scent.
The Japanese have long used nanohana as a food. Archaeological evidence shows that certain nanohana were eaten in the Yayoi period (330BC-300AD), and other species are mentioned in the earlest of Japanese writings (The Kojiki and The Manyoshu) If you are invited to a Japanese home in spring you might very well be served them in the form of OHITASHI ( the leaves , stems and flowers boiled and then flavored with with soy sauce), or my favorite- KARASHIAE (the same, but with some hot mustard added).

Nanohana no Karashiae- Delish!
It was in the Edo Period (1600-1868), however, that nanohana (also called ABURANA) really came into their own as new techniques were devised for extracting oil (canola oil) from their seeds. This is called NATANE NO ABURA in Japanese, and it is still used for cooking. What made it so important in past ages, though,was that it was the main fuel used for lights and lanterns ( before that fish oil and sesame oil were used). You might also be surprised to learn that the oil from these same flowers can be used to run deisel engines!
It was probably because the oil made from the nanohana was used to LIGHT UP Edo (Tokyo), that the great Haiku poet Buson (1716-1783) wrote this, one of the most famous of all Haikus- Nanohana ya Tsuki wa higashi ni Hi wa nishi ni (Nanohana-with the moon in the east and the sun in the west!), in which the flowers which provided the fuel for artificial illumination stand between the day and night as the sun is about to set on a spring day. It is also probably because of this poem that the Japanese often associate the beauty of nanohana with dusk.
Another interesting tidbit which I remember when thinking about nanohana, is that these flowers are offered at the grave of the most famous of all Tea Masters and man of impeccible taste- Sen-no-Rikyu(1522-1591), on his memorial day, April 21. This is because the banks of the Yodo River were lines with them as he composed his final reminiscences, as a boat carried him to the spot where he was to commit ritual suicide (under the orders of Toyotomo Hideyoshi).
There are several varieties of plant which are referred to as nanohana, and if you see a field of them you might want to ask the farmer if they are for eating or for oil, or which vegetable they are (cale, broccolli, mustardseed etc...).
Even when writing in ENGLISH I prefer to use the Japanese word nanohana over the off-putting rape blossom.There is NO connection, however, between these flowers and violence against women in either English or Western culture. It is just that the latin word for turnip is rapus, and the nanohana is a member of the same family. Thus rape blossom means the turnip flower, and to tell the truth that does not have a very nice ring to it either!
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“Tsukuba Havriin Bayar” Mongolian Festival

“Tsukuba Havriin Bayar” Mongolian Festival
April 18 (Sat) and 19 (Sun), 2009
Venue: Tsukuba Chuo Park (MAP)
Programs
April 18 (Sat)
10:00 – “Ger” assembling demonstration
11:00 – Introduction of Mongolia and the peoples of Mongolia
12:00 – Opening Ceremony
12:30 – Concert
13:30 – Horse races by kids
14:00 – “Ger” assembling demonstration
14:30 – Mongolian Sumo matches by kids
16:00 – Concert
17:00 – Closing Ceremony
April 19 (Sun)
10:00 – “Ger” assembling demonstration,
Introduction of Mongolia, and the peoples of Mongolia
11:00 – Concert
11:30 – Introduction of traditional Mongolian attire
12:00 – Mongolian Sumo matches
14:00 – “Ger” assembling demonstration
14:30 – Concert
15:00 – Mongolian Sumo – final bout!
15:30 – Awarding Ceremony
16:00 – Closing Ceremony
Contacts:
* Tsukuba Havriin Bayar Mongolian Festival Planning Committee (090-8496-5984)
* Festival Office (080-3436-5984)
* E-mail: tsukuba_havrynbayar [at] yahoo.co.jp
* Web: http://www9.ocn.ne.jp/~mongol/
Send Donations to:
銀行名 ゆうちょ銀行 (yuucho ginko/postal account)
口座番号 10660-36995431 (account number)
口座名義 つくばハワリンバヤルモンゴル祭り実行委員会
(account name: tsukuba hawarinbayaru mongoru matsuri jikkou iinkai)
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