Very Cute Illustrations
If you have some extra time and can swing by DOHO park this week, try checking out this very cute exhibition. They have some artwork by Yukimi Konno, a very talented illustrator for children. The colorful
characters are perfect for young children under 5. VERY catchy and cute!!! My 8-month old baby loved the works feature the main character Tymtom, laughing and smiling.
Here is the artist’s website. I will try to include a picture too.

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Higashioka’s Fudo-Ko: A Meeting With The Unmoveable One
By Avi Landau
It was the 27th, and July is an odd numbered month (the 7th), so I knew where I could find Mrs. Okamino. I built up the determination to step out of my house and into the throbbing heat. With notebook and pen in hand and a squint on my face, I slowly walked around the corner and headed towards the Sakura City Office. About a hundred meters later, I came to an old wooden structure covered with an out-of-place red tin roof. When I saw that the doors and shutters were open and the cushions were airing out in the sun I felt reassured. And, just like clockwork, there she was, broom in hand, vigorously sweeping the grounds of this old neighborhood meeting hall where women regularly gather gather to pray for health, fertility, and easy delivery.
Tsukuba has been changing rapidly with plenty of new buildings and a large influx of out-of-towners. Stiil, with all the dramatic changes, the city can be seen as being a collection of villages which retain their own identities. The community spirit can most easily be recognized by outside observers in the village Matsuri (festivals). If you look more carefully, however, you will find other signs of what life was like before this area was turned into The Science City.
One interesting feature of the village (shuraku or buraku) is the meeting hall (shukaijo). Now many of these have been rebuilt as what look like prefabricated sheds. However, you can still find several meeting halls that are used for KO (講)which are traditional wooden structures which could be mistaken for a small shrine or temple. Ko are prayer or study meetings which became popular in this region in the Edo Period (1600-1868). There are a confusing variety of ko, and I have described the most popular one, The Ko of the 19th (ju ku ya ko,十九夜講) in an Alien Times article.
Mrs. Okamino was concentrating deeply on her sweeping and did not notice my approach. I almost felt bad that I was going to disturb her, but I was determined to talk to her about that night's Fudo-Ko and to get some pictures of the inside of the Fudo Hall, especially of the fearsome statue of Fudo-Myoo,whom the women respectfully refer to as Fudo-Sama,which I had only ever had a peek at through the grating of at the front of the hall.
For many generations, a Fudo-Ko (women's prayer meeting in front of the image of Fudo Myoo) has been held at this worship hall in Higashioka. It had always been held once a month, on the 27th, but now with it getting harder and harder to get the neighborhood women together (only eight regularly gather now), the frequency has been reduced to one meeting every other month.
The women take turns being toban, the person in charge of preparing food and tea, and they get together at about 8 pm, chanting the Dainichi Kyo Sutra which they all know by heart. This is done before an impressive wooden image of Fudo Myoo (不働明王), one of the 5 Deva Kings to have been introduced to Japan in the 9th century by the great Buddhist priest Kukai in the 9th century. For some reason, Fudo, the Unmoveable One, became the most popular of these frightening figures, and a cult of Fudo spread throughout the islands, with special success in the Kanto Area, where he was worshiped by both warriors and peasants alike.The most famous place known for its worship of Fudo is Narita-San Temple(Shinsho-Ji),one of the most visited in all of Japan This popularity is interesting because in India and China it is RARE to find an image of Fudo alone (one that is not part of the group of all five myoo). I have not yey been able to determine just why this particular figure was so attractive for the Japanese.
The Fudo image at the Higashioka worship hall is impressive indeed with his sword and rope and halo of flames. What a contrast to the serene Niorin Kannon image worshipped at the Ju ku ya ko(19th night Ko). This difference in countenance,however, does not indicate a difference in objective, as the Fudo Myoo uses his fiercely determined expression to bring people to an understanding of Buddhism. He is believed to bring good health and easy delivery,prevent disaster and even bring monetary success.
Certainly, sitting in the old hall, smelling of ancient tatami mats, with Fudo glaring down as the rhythmic chanting pounds in their ears, could not help but make worshipers reflect on their ways and consider taking the correct, middle path .
Of the dozen or so Ko regularly practiced in this area before WW2, only about 4 are still actively being kept alive. Just acroos the Hanamuro River in Saiki, there is another very interesting Fudo Hall which I will discuss in a future posting.
There is no listing of these events online or in any printed form. The best way to get information about a Ko near you is to speak to the older people in your neighborhood. They will be very glad to hear that you are interested.
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Dazzling Works From The Red Center- An Emily Kame Kngwarreyey Exhibition
By Avi Landau
Though in Tokyo there are no museums with permanent collections ranking with those of the likes of The Louvre, The Prado, The Met, The British Museum or Taipei's Palace Museum, it is still one of the best, or maybe even THE best place in the world for special museum shows and exhibitions. During any given week, a glance at the museum listings will reveal several must-see exhibits at dozens of interesting venues, catering to almost any taste or inclination.
The recent inauguration of the new National Art Center near Roppongi, has made things EVEN MORE interesting for art lovers, and being that it is located near a Hibiya Line station it is easily accessible to Tsukubans (even for those with only a few hours to spare).
I wanted to arrive at the museum early today, to have as much time as possible taking in the works of Australian Aboriginal Artist Emily Kame Kngwarreyey, who had been a ritual body painter and sand artist until she finally put brush to canvas in her late seventies. Living in the Red Center of Australia, a couple of hundred kilometers from Alice Springs in a community ironically called Utopia, Emily must have spent nearly all the time in the remaining decade of life painting, as she created THOUSANDS of canvasses, many of them HUGE. She usually did this by spreading a canvas out on the sand, exposed to the elements, and in some of her works careful examination reveals bits of sand, vegetation and even an occasional DOG PAW PRINT!
Emily had no formal artistic training and virtually no knowledge of Western or Eastern artistic traditions. And though eventually prices for her canvases soared way over the million dollar mark, she certainly was not painting for the money. This makes her works, for me at least, an exciting example of pure artistic expression which provide an accessible channel for gaining insights into her peoples' 40,000 year old culture.
The National Art Center's building itself is quite interesting ,though I only looked at its facade briefly and then hurried into the exhibition gallery. If the floors were not wooden I would think that I had entered an airport terminal with a spacious lobby repleat with restaurants and cafes set at regular intervals . The galleries are entered through what look not unlike airport gates, and you actually have to pay for each exhibition separately at these gates(at least this was true today). All the restaurants were crowded, making it seem that the outer hall was the CENTERPIECE of the museum as opposed to the inconspicuous galleries. I was surprised to see that there was even food being offered to match one of the exhibitions. For the European Still-Life Painting show from the Kunsthistoriches Museum in Vienna, one of the restaurants had an Austrian chef serving special Viennese lunches!
The design of the building should not come as a surprise when one learns that it was the creation of architect Kisho Kurokawa who also designed (among many other notable commissions) the Kuala Lumpur Airport Terminal! Of course when that was built it was the largest terminal in the world. And what a lonely place, too, never having been able to compete with Singapore Airport as a regional hub and seeming almost empty in its hugeness,a veritible ghost terminal with staff shuttling to and fro by bicycle through its long and lonely corridors.
Paying my 1,300 yen entrance fee, I took a deep breath and entered another dimension: DREAMTIME. Emily's works are abstract, appear simple and can be divided into several distinct phases. Nearly all the works on display, however, were alike in that they were absolutely mesmerizing. I felt like I was at a Thai Restaurant. Thai food is delicious and it also physically affects your mouth, giving it a unique sensation. For the first time in my long museum-going life I felt the same sensation -- IN MY EYES. More than any Da Vincis, Rembrandts, or Picassos my eyes FELT Emily's canvases.
Of course we can try to interpret these works. Maybe they are maps containing wisdom related to gathering traditional foods and medicines. Maybe they are reflections of subtle observations of the desert landscape. Maybe they are inner-visions which all humans can relate to as a reflection of a collective consciousness. I could go on and on, but as my friend Rick said about this show, maybe it should just be FELT and not THOUGHT ABOUT.
Several times I reached the exit of the gallery, but each time I headed back to the start, staggering about, intoxicated, trying to absorb as much of Emily's energy as I could.
This incredible exhibition closes Monday evening. If possible, SEE IT.
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Birds Of a Feather Flock Together
At 1:30 pm on a sultry Saturday July 12th, we gathered in front of the Sakura Gymnasium. The heat was intense and the air itself was like pea soup and seemed to pulsate with life. There were 28 of us in all, nature lovers, who had gathered from near and far to have a look at the cultural, historical and natural treasures of Nakane Konda-Dai (中根 金田台), an area which is slated for a complete bulldozing so as to be turned into another DANCHI housing development.
As I have mentioned in a previous entry, this surprisingly large area of unused land located in the very heart of Tsukuba, received a temporary stay of execution when Kayoko Takahashi caught the construction company involved with the project red-handed as it attempted to secretly wipe out a hawk's nest whose existence she had previously reported to the city office. Because of this incident, Ibaraki Prefecture has given the area a three year lease on life.
Takahashi-san has been working feverishly to make local residents aware and to get the local government to reconsider the future of this remarkably complete ecosystem. This month's event was organized in order to give anyone interested a look at the richness of the Konda woods, which have made it possible for its resident hawk couple to successfully raise ALL THEIR YOUNG over the past three years. Not an easy feat, and one that shows the ecological strength of the Kondai-Dai woods.
Professor Satoshi Ohori, an ornithologist at Waseda University drove all the way to Konda to have a look at our local hawks, and give us some advice regarding how to go about a grass roots movement to protect the area.
We started with a walk through the village of Konda. As we shuffled along in the cruel heat, the wooded hill where Hanamuro Castle used to stand was directly behind us, while the forest under which the ruins of Konda Castle now rest lay dead ahead. These were wooden fortresses, or palisades, which were built to dominate the area in the Kamakura Period.
We stopped to examine a Batto Kannon Sacred Stone which stands at the head of a path leading to an ancient and beautiful stairway which ascends through a thick bamboo grove. At the top is the site of the old manor which was the residence of the court official who used to oversee this area in the Nara Period. I pointed out the rare sacred stones which are still carefully tended to by the local villagers.
We then headed into the woods where the hawks live. The three chicks are doing fine and fortunately did not seem to mind the large group of intruders. We tried to be as quiet as possible and quickly left filled with the excitement of a dramatic wildlife encounter.
We then returned to the Sakura gym where we had reserved a room for Professor Ohori's talk. We stressed how it would be possible to save a portion of the woods which would allow the hawks to remain in the area if we got enough people involved, by signing petitions and calling the city and prefectural offices. He said that if enough people raised their voices, some of this forest might be saved.
With those encouraging words Ohori-Sesei rode off into the sunset leaving us with a sense of mission.
We will be having more meetings about the future of Konda-Dai in the near future. If you are interested, or would like to get involved contact Takahashi-san at kayoaro[AT]pd6.so-net.ne.jp or me, Avi Landau at avi[AT]tora.email.ne.jp. (Change the [AT] to an @ sign.)
And yes, that is Mt. Tsukuba in the background in the wood-block print of a bird of prey by Utagawa Hiroshige. It is almost the exact same scene that I see when I watch the hawks from my bedroom window.
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Changes to the Japanese Language Proficiency Test
Over the next couple of years, there are going to be some revisions to the Japanese Language Proficiency Test.
1. A new level will be introduced between levels 2 and 3 in 2010, making 5 levels in total. The new system will then consist of levels N1 to N5.
2. From 2009, levels 1 and 2 will be offered in July and all four levels will be offered in December.
3. The questions that have appeared on past tests will no longer be published.
(Source: http://www.jees.or.jp/jlpt/pdf/20080525_jlpt_kaitei_report_en_pre01_0718.pdf)
Also, it seems that they are going to offer a test site in Ibaraki this year.
(Source: http://www.jees.or.jp/jlpt/en/jlpt_guide.html)
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